Hercules
Bust
1640-1650 (made)
1640-1650 (made)
Artist/Maker | |
Place of origin |
Busts of figures from the classical past were eminently suitable furnishings for a cabinet display. The artist, Lucas Faydherbe, was deeply influenced by the painter Rubens during the early part of his career, and this is clearly reflected in the composition and tone of this work. The attribution to Faydherbe derives from a comparison with a signed bust of Omphale in the Municipal Museum at Malines in Belgium, which also owns another version of the composition used here.
Object details
Categories | |
Object type | |
Title | Hercules (generic title) |
Materials and techniques | Terracotta |
Brief description | Terracotta bust of Hercules, by Lucas Faydherbe, Flemish, 17th century |
Physical description | Hercules, bust in terracotta. The Hero looks to the right, his bearded head covered with a lion mask; the skin is brought across the body and over the right shoulder which is covered by one paw and the curls of the mane. |
Dimensions |
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Gallery label | HERCULES
South Netherlandish (Malines); about 1640-1650
Terracotta
By Lucas Faydherbe
Given by Dr. W L Hildburgh
This bust is identical to one in the Municipal Museum in Malines, which was acquired in 1840 from a descendant of Faydherbe. A companion bust of Omphale in the same museum is signed: FAYDH. This bust and the one of Omphale now in the Ashmolean Museum, Oxford, are probably contemporary versions from the workshop of the sculptor. Faydherbe was deeply influenced by the painter Peter Paul Rubens (1577-1640) during the early part of his career and the bust, which demonstrates this influence, probably dates from between 1640 and 1650.
(1993 - 2011) |
Credit line | Given by Dr W. L. Hildburgh. |
Object history | Given by Dr W. L Hildburgh, F.S.A. |
Subject depicted | |
Summary | Busts of figures from the classical past were eminently suitable furnishings for a cabinet display. The artist, Lucas Faydherbe, was deeply influenced by the painter Rubens during the early part of his career, and this is clearly reflected in the composition and tone of this work. The attribution to Faydherbe derives from a comparison with a signed bust of Omphale in the Municipal Museum at Malines in Belgium, which also owns another version of the composition used here. |
Bibliographic references |
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Collection | |
Accession number | A.17-1933 |
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Record created | June 24, 2009 |
Record URL |
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