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A Captive

Statuette
1660-1700 (made)
Artist/Maker
Place of origin

France colonised islands in the West Indies in the 17th century, with the aim of transforming them into profitable sugar-producing economies fuelled by the labour of enslaved Africans. French involvement in the transatlantic trade continued to grow over the following century, but in 1791 there was a massive slave revolt in Saint-Domingue, one of the most profitable colonies. On 1 January 1804, the territory became Haiti, the first black republic.

This decorative bronze figure was made in France in the 1660s, during the reign of Louis XIV, whose chief minister, Jean-Baptiste Colbert, was the architect of French colonial policy. The figure is probably one of a pair made to embellish a clock or a piece of furniture. Its pose - on one knee, with the wrists manacled together - clearly identifies the figure as a slave.


Object details

Categories
Object type
TitleA Captive (generic title)
Materials and techniques
Bronze, patinated
Brief description
Statuette, bronze, A Captive, French, ca. 1660 - 1700
Physical description
The captive is bearded, long haired, and looks to the right. He is kneeling on his left knee and his manacled wrists are held on his right thigh. He wears short sleeved linked armour and a cloak.
Dimensions
  • Height: 22.2cm
Credit line
Given by Dr W. L. Hildburgh FSA
Object history
Given by Dr. W. L. Hildburgh, F. S. A.
Summary
France colonised islands in the West Indies in the 17th century, with the aim of transforming them into profitable sugar-producing economies fuelled by the labour of enslaved Africans. French involvement in the transatlantic trade continued to grow over the following century, but in 1791 there was a massive slave revolt in Saint-Domingue, one of the most profitable colonies. On 1 January 1804, the territory became Haiti, the first black republic.

This decorative bronze figure was made in France in the 1660s, during the reign of Louis XIV, whose chief minister, Jean-Baptiste Colbert, was the architect of French colonial policy. The figure is probably one of a pair made to embellish a clock or a piece of furniture. Its pose - on one knee, with the wrists manacled together - clearly identifies the figure as a slave.
Collection
Accession number
A.21-1950

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Record createdJune 24, 2009
Record URL
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