Compass thumbnail 1

Compass

1562 (made)
Artist/Maker
Place of origin

This folding compass and dial was made in Germany (Nuremberg) in 1562 and is attributed to Georg Hartmann (1489-1664). The outside of the compass is engraved with a dial and a table of latitutes, while the interior is engraved with various calculating diagrams containing a compass, sunk under glass, the needle of which is missing.
Hartmann was active in Nuremberg from 1518 onwards. He apparently provided the technical designs for sundials, as shown by different engravings depicting diptychs produced by him, signed and dated between 1535 and 1553. Sundials were portable and essential for accurate time-keeping, and would have beed used by merchants, sea captains, travellers, and indeed anyone who wished to know the time, in the days before accurate pocket watches or of course wrist watches. They relied on measuring the sun’s changing direction in the sky, indicating the hour of the day through the angle of the shadow cast by the gnomon, which was the string in the hinged portable sundials. In order to work correctly the direction dials das to be properly aligned, and for this reason such portaqble sundials needed to incorporate magnetic compasses.
Ivory was a suitable material for a number of reasons: it was not heavy, did not warp as easily as wood, and its light colour and realtive softness meant that it was easy to inscribe. Such objects were produced from the fifteenth century up to the early twentieth.

Object details

Categories
Object type
Materials and techniques
Ivory, engraved and coloured, partly painted and gilded, string and gilt brass fittings; glass cover
Brief description
Folding compass and dial, ivory engraved and coloured, attributed to Georg Hartmann, Germany (Nuremberg), dated 1562
Physical description
Folding compass and dial, the outside is engraved with a dial and a table of latitudes; the interior with various calculating diagrams containing a compass, sunk under glass, the needle of which is missing. It is partly painted and gilded, with a string and gilt brass fittings. Inscribed. Inside the compass the names of sixteen cites are inscribed: Danzig, Lübeck, Antwerp, Prague, Nuremberg, Augsburg, Vienna, Paris, Salzburg, Milan, Leon, Trent, Venice, Florence, Naples and Lisbon, as well as Portugal and Sicily. Another inscription at the bottom.
Dimensions
  • When closed height: 1cm
  • Width: 5cm
  • Depth: 9cm
Marks and inscriptions
  • 'NORENBERGE FACIEBAT. ANNO DOMINI.MDLXII' (on the dial)
  • '1836 Pietro Draghi' [and a 'z' a six-pointed star and a small circle] (on the exterior panel of the underside a scratched label [also stamped onto the same label])
    Translation
    [presumably a previous owner]
  • 'MORE. AB. ORTV. ET. OCASV' (at the bottom)
    Translation
    'for use from the east to the west'
Gallery label
(01/07/2023)
Pointing the way

Think of this object as an old-fashioned smartwatch. Find your way with the round compass at the bottom and tell the time using the string, and sunlight, to make a sundial.

Folding compass and sundial
Made by Georg Hartmann
1562
Nuremberg, Germany
Given by Mrs Ellen Hearn
Museum no. A.46-1923

[Young V&A, Imagine Gallery, Adventure, short object label]
Credit line
Given by Mrs Ellen Hearn, Villa St Louis, Menton in 1923; this and other objects presented at the same time were labelled as the Alfred Williams Hearn gift.
Object history
In date and form this piece resembles the work of Georg Hartmann, who was active in Nuremberg from 1518 onwards. A compass by him similarly dated is remarkably close to the present example.
Given by Mrs Ellen Hearn, Villa St Louis, Menton in 1923; this and other objects presented at the same time were labelled as the Alfred Williams Hearn gift.
Summary
This folding compass and dial was made in Germany (Nuremberg) in 1562 and is attributed to Georg Hartmann (1489-1664). The outside of the compass is engraved with a dial and a table of latitutes, while the interior is engraved with various calculating diagrams containing a compass, sunk under glass, the needle of which is missing.
Hartmann was active in Nuremberg from 1518 onwards. He apparently provided the technical designs for sundials, as shown by different engravings depicting diptychs produced by him, signed and dated between 1535 and 1553. Sundials were portable and essential for accurate time-keeping, and would have beed used by merchants, sea captains, travellers, and indeed anyone who wished to know the time, in the days before accurate pocket watches or of course wrist watches. They relied on measuring the sun’s changing direction in the sky, indicating the hour of the day through the angle of the shadow cast by the gnomon, which was the string in the hinged portable sundials. In order to work correctly the direction dials das to be properly aligned, and for this reason such portaqble sundials needed to incorporate magnetic compasses.
Ivory was a suitable material for a number of reasons: it was not heavy, did not warp as easily as wood, and its light colour and realtive softness meant that it was easy to inscribe. Such objects were produced from the fifteenth century up to the early twentieth.
Bibliographic references
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part II, p. 99
  • Gouk, Penelope. The Ivory Sundials of Nuremberg 1500-1700. Cambridge, 1988
  • Lloyd, S. A. Ivory Diptych Sundials, 1570-1750, Cambridge, Mass. - London, 1992
  • Dunn, Richard. Scientific Instruments at the Victoria and Albert Museum, London: a Provisional Inventory. Bullentin of the Scientific Instrument Society. 79, 2003, pp. 6-14
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013 p. 406
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, p. 406, cat. no. 403
Collection
Accession number
A.46-1923

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Record createdJune 24, 2009
Record URL
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