Not currently on display at the V&A

Snuff Grater

ca. 1750 (made)
Artist/Maker
Place of origin

This part of an ivory snuff grater representing Poseidon and Galatea was made in about 1750 in France, probably Dieppe.
A snuff rasp was used like a nutmeg grater for grating dried tobacco into snuff. A perforated metal section was fixed inside the ivory cover for grating. Snuff taking was a popular pastime in France for the wealthy and fashionable. There was the rumour that a regular dose of snuff would protect against the plague. The tobacco was grated from the solid tobacco roll known as a "carotte".
The ivory carving on these rasps is often rather crude, while the subjects depicted, often mythological figures, or exotic ladies, are typical of decorative objects made from a rare and costly material to be sold as luxury good.


Object details

Categories
Object type
Materials and techniques
Ivory
Brief description
Snuff grater, rasp cover, ivory, Poseidon and Galatea, French (probably Dieppe), ca. 1750
Physical description
Part of an ivory snuff grater representing Poseidon and Galatea. Both are embracing amidst the waves. Galatea is fully clothed, and Poseidon half naked. A winged putto holds a trident at the side, whilst above another winged putto is flies overhead, holding a flaming heart. A basket of flowers is also shown above, and decorative foliate work is carved below.
Dimensions
  • Height: 19.2cm
Object history
Given by Mrs Ellen Hearn, Villa St Louis, Menton in 1923; this and other objects presented at the same time were labelled as the Alfred Williams Hearn gift.
Subjects depicted
Summary
This part of an ivory snuff grater representing Poseidon and Galatea was made in about 1750 in France, probably Dieppe.
A snuff rasp was used like a nutmeg grater for grating dried tobacco into snuff. A perforated metal section was fixed inside the ivory cover for grating. Snuff taking was a popular pastime in France for the wealthy and fashionable. There was the rumour that a regular dose of snuff would protect against the plague. The tobacco was grated from the solid tobacco roll known as a "carotte".
The ivory carving on these rasps is often rather crude, while the subjects depicted, often mythological figures, or exotic ladies, are typical of decorative objects made from a rare and costly material to be sold as luxury good.
Bibliographic references
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013 p. 414
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, p. 414, cat. no. 417
Collection
Accession number
CIRC.489-1923

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Record createdJune 24, 2009
Record URL
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