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Anatomical Figure of a woman

Statuette
ca. 1700 - ca. 1750 (made)
Artist/Maker
Place of origin

This ivory, anatomical model of a woman would have been intended for teaching purposes. The figure, which is not carved at the back, lies on a bier covered with red velvet. The upper part of the trunk lifts off disclosing the viscera and the intestines covered with an apron or membrane which in turn can be removed to show the foetus. The figure was likely for general educational purposes, not only for medical students or midwives. They might also have been kept in private collections as objects of curiosity. Such figures were made in Germany, France and Italy. It is difficult to attribute this piece definitively; the style of the box, which must be original, suggests it dates from the first half of the eighteenth century.


Object details

Category
Object type
Parts
This object consists of 7 parts.

  • Statuette
  • Fragment
  • Fragments
  • Fragment
  • Fragment
  • Pin
  • Box
TitleAnatomical Figure of a woman (named collection)
Materials and techniques
Ivory and vellum, partly painted, in wood box with brass mounts, lined with varnished embossed paper and velvet.
Brief description
Figure, ivory, anatomical model of a pregnant woman, perhaps French, ca. 1700-50
Physical description
The ivory figure which is not carved at the back, lies on a bier covered with a red velvet cushioned pad in a finely made wood box with a brass handle and metal lock. The bier, which stands on four ivory bun feet, is held between two wood runners inside the box, and slides out of it at one end. The arms are cut from separate pieces of ivory pegged on at the shoulder. The right one lies straight at her side, while the left one is bent, the lower arm lying over her thorax. When the arm is raised, the hand half-covers the figure's face, as if in modesty, a feature which is seen in many other such anatomical figures. The upper part of the trunk lifts off disclosing the viscera and the intestines, which are covered with an apron or membrane, which is also removable. Parts of the viscera are coloured red. Beneath this second cover is a membrane made of vellum, underneath which is the womb with a fetus, likewise partly painted in red. A small length of string is attached to the fetus's stomach, replicating the umbilical cord. The torso of the woman is elongated, and the proportions generally of the body are anatomically incorrect. E.g. the feet are disproportionately small. She is depicted smiling, wearing a headband and her shoulder-length hair is carved in a fairly elaborate if stylised fashion. The back of the body is relatively unworked and flattened, and seems to be glued to the velvet pad on the bier.
Dimensions
  • Box length: 30.2cm
  • Box with door open flat length: 30cm (Note: the door doesn't fully close)
  • Box width: 14.2cm
  • Box height: 17.4cm
  • Of bier length: 27cm
  • Of bier width: 11cm
  • Of bier with figure height: 7cm
  • Of figure length: 17.5cm
  • Upper layer of bust length: 6.5cm
  • Upper layer of bust width: 2.8cm
  • Intestines length: 3.2cm
  • Intestines width: 2.3cm
  • Lower layer of abdomen length: 2.7cm
  • Lower layer of abdomen width: 2cm
Credit line
Given by Mrs Francis Wormald
Object history
Given by Mrs Francis Wormald (Honoria M. R. Wormald), Aldsworth House, Emsworth, Hampshire in 1941. The history of the figure only goes back to the mid 19th century, when it belonged to a relative of the donor.
Historical context
See Sotheby's London 13 December 1984, Lots 344, 345 for other close examples, there described as 'South German, second half 17th century.
Subject depicted
Summary
This ivory, anatomical model of a woman would have been intended for teaching purposes. The figure, which is not carved at the back, lies on a bier covered with red velvet. The upper part of the trunk lifts off disclosing the viscera and the intestines covered with an apron or membrane which in turn can be removed to show the foetus. The figure was likely for general educational purposes, not only for medical students or midwives. They might also have been kept in private collections as objects of curiosity. Such figures were made in Germany, France and Italy. It is difficult to attribute this piece definitively; the style of the box, which must be original, suggests it dates from the first half of the eighteenth century.
Bibliographic references
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 246, pp. 264, 5
  • Lent to the exhibition Anatomy. A Matter of Death and Life, curated by Tacye Phillipson, Edinburgh, National Museums Scotland, 2 July-30 October 2022
Collection
Accession number
A.3-1941

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Record createdJune 24, 2009
Record URL
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