Inkstand thumbnail 1
Inkstand thumbnail 2
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On display
Image of Gallery in South Kensington

This object consists of 4 parts, some of which may be located elsewhere.

Inkstand

1752-1754 (modelled), ca. 1755 (made)
Artist/Maker
Place of origin

With its exotic figures and wildly asymmetric scrollwork and design, this inkstand is a striking example of chinoiserie in the rococo style fashionable in mid-eighteenth-century Europe. Like many artisans in the porcelain industry, its creator, the modeller Johann Wilhelm Lanz (active 1750-1761), worked at a number of factories. He was first chief modeller at the Strasbourg porcelain factory of Paul-Anton Hannong, where this design was first put into production. However, Hannong was soon forced to cease making porcelain at Strasbourg by the Vincennes factory, which held a monopoly to manufacture certain types of porcelain on French soil. Both men then crossed over the nearby border to Frankenthal in Germany, where Hannong established a factory in 1755. In this year he was awarded a privilege (patent) to make porcelain by the Elector Palatinate, who purchased the factory outright in 1762.

Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Inkstand Body
  • Inkwell Cover
  • Inkwell Cover
  • Inkwell Body
Materials and techniques
Hard-paste porcelain painted with enamels, moulded and gilded, and glass inkwell
Brief description
Inkstand with two covers in hard-paste porcelain painted with enamels and gilded, and glass inkwell, modelled by J.W. Lanz 1752-1754, made by Frankenthal Porcelain Factory, Frankenthal, ca. 1755.
Physical description
Inkstand with two covers in hard-paste porcelain painted with enamels and gilded, and glass inkwell. Asymmetrical stand with one large and one small container, each with a cover surmounted by a figure of a seated Chinese man holding a branch with a flower which is worn as a hat. The Chinese man on the smaller cover holds a pear in his left hand and wears a striped coat. The Chinese man on the larger cover wears a yellow coat with a leaf pattern. Stand moulded with rococo scrolls picked out in pink, gold and decorated with flower sprays, and with two circular apertures in the front with a glass inkwell.
Dimensions
  • Height: 24.1cm
  • Length: 25.4cm
Marks and inscriptions
  • 'PH' (Impressed)
  • '3' (Incised)
  • Rampant lion (In underglaze blue on base of the stand)
Gallery label
(09/12/2015)
Inkstand with figures in Chinese dress
About 1755

With its exotic figures and asymmetric scrollwork and design, this inkstand is a striking example of chinoiserie in the Rococo style. The large ‘flower hats’ worn by the men were a common feature of chinoiserie designs, indicating that the figures should be understood as Chinese.

Germany (Rhineland)
Made at the Frankenthal factory
Modelled by Johann Wilhelm Lanz
Porcelain painted in enamels and gilded
Given by Arnold Willby, Esq.
Credit line
Given by Arnold Willby, Esq.
Production
See References
Subjects depicted
Summary
With its exotic figures and wildly asymmetric scrollwork and design, this inkstand is a striking example of chinoiserie in the rococo style fashionable in mid-eighteenth-century Europe. Like many artisans in the porcelain industry, its creator, the modeller Johann Wilhelm Lanz (active 1750-1761), worked at a number of factories. He was first chief modeller at the Strasbourg porcelain factory of Paul-Anton Hannong, where this design was first put into production. However, Hannong was soon forced to cease making porcelain at Strasbourg by the Vincennes factory, which held a monopoly to manufacture certain types of porcelain on French soil. Both men then crossed over the nearby border to Frankenthal in Germany, where Hannong established a factory in 1755. In this year he was awarded a privilege (patent) to make porcelain by the Elector Palatinate, who purchased the factory outright in 1762.
Bibliographic references
  • Barbara Beacamp-Markowsky, Frankenthaler Porzellan: Vol. 1: Die Plastik, Hirmer Verlag, Munich, 2008, cat 6
  • Passion for Porcelain: masterpieces of ceramics from the British Museum and the Victoria and Albert Museum. pp.282-283
Collection
Accession number
C.144 to C-1965

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Record createdJune 24, 2009
Record URL
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