Corner from the top of a stove
Sketch-Model
1850-1851 (made)
1850-1851 (made)
| Artist/Maker | |
| Place of origin |
This model is part of a hot-air stove designed by Stevens for Messrs Henry E. Hoole & Co Ltd.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.
Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.
Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Object details
| Categories | |
| Object type | |
| Title | Corner from the top of a stove (named collection) |
| Materials and techniques | Plaster cast |
| Brief description | Sketch model, plaster cast, for the corner of the top of a hot-air stove, by Alfred Stevens, English, ca. 1850-1 |
| Physical description | Scrolling, leafy foliage, partly radiating from the corner. |
| Dimensions |
|
| Object history | Purchased from Mrs Ada Gamble, 12 Stanlake Villas, Shepherd's Bush, London, together with a range of other objects by Stevens, for £175. Mrs Gamble was the widow of James Gamble, a pupil of Stevens, who had a large collection of designs and drawings by his former master. |
| Historical context | This model is part of a hot-air stove designed by Stevens for Messrs Henry E. Hoole & Co Ltd. |
| Subjects depicted | |
| Summary | This model is part of a hot-air stove designed by Stevens for Messrs Henry E. Hoole & Co Ltd. A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. |
| Bibliographic reference | Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 363, 4, cat. no. 542 |
| Collection | |
| Accession number | A.38-1911 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | June 24, 2009 |
| Record URL |
Download as: JSONIIIF Manifest
