Ecuelle
ca. 1763 (made)
Artist/Maker | |
Place of origin |
The arms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin, whose marriage took place in Lille on 28th March 1762.
This écuelle (broth bowl) is one of the finest pieces of Tournai porcelain in existence. It is very finely painted with armorials and decorated with underglaze blue, enamelled reserves, and very richly tooled gilding in the ‘Gold Anchor’ style of the Chelsea porcelain factory. The enamelling is firmly attributed to Joseph (Henri-Joseph) Duvivier and the gilding rather more tentatively to Michel-Joseph Duvivier. The Chelsea factory had been founded by the Liége goldsmith Nicholas Sprimont, who recruited a number of Chelsea’s key workmen from the Low Countries, including Joseph Willems, his figure modeller, and a number of painters named Duvivier. When production declined in the 1760s, Willems and the Duviviers returned to the Continent, all finding work at Tournai. The Duviviers returned in 1762-3, clearly bringing Chelsea styles of decoration with them. In addition to being an exceptionally fine example of Tournai porcelain, the écuelle is a fascinating illustration of the link between the two factories, and, by virtue of its dateable armorials, a major documentary piece for Tournai.
This écuelle (broth bowl) is one of the finest pieces of Tournai porcelain in existence. It is very finely painted with armorials and decorated with underglaze blue, enamelled reserves, and very richly tooled gilding in the ‘Gold Anchor’ style of the Chelsea porcelain factory. The enamelling is firmly attributed to Joseph (Henri-Joseph) Duvivier and the gilding rather more tentatively to Michel-Joseph Duvivier. The Chelsea factory had been founded by the Liége goldsmith Nicholas Sprimont, who recruited a number of Chelsea’s key workmen from the Low Countries, including Joseph Willems, his figure modeller, and a number of painters named Duvivier. When production declined in the 1760s, Willems and the Duviviers returned to the Continent, all finding work at Tournai. The Duviviers returned in 1762-3, clearly bringing Chelsea styles of decoration with them. In addition to being an exceptionally fine example of Tournai porcelain, the écuelle is a fascinating illustration of the link between the two factories, and, by virtue of its dateable armorials, a major documentary piece for Tournai.
Object details
Categories | |
Object type | |
Parts | This object consists of 3 parts.
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Materials and techniques | Soft-paste porcelain, painted in underglaze blue and enamels, and gilded |
Brief description | Porcelain ecuelle (broth bowl) painted with armorials in enamels by Henri-Joseph Duvivier, 1762-63, and gilded possibly by Michel-Joseph Duvivier, made in Tournai, Belgium |
Physical description | Lobed, circular bowl, cover and stand with moulded rococo openwork scrollwork handles. All parts are painted with figures in landscapes settings in coloured enamels, and the base is painted with thearms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin supported by elaborate rococo scrollwork. The panels are reserved against an underglaze cobalt blue ground embellished with flowers, scrolls and insects in richly tooled gilding. |
Dimensions |
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Styles | |
Marks and inscriptions | A tower in gold painted on all three pieces |
Credit line | Accepted by HM Government in lieu of inheritance tax and allocated to the Victoria and Albert Museum, 2007 |
Summary | The arms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin, whose marriage took place in Lille on 28th March 1762. This écuelle (broth bowl) is one of the finest pieces of Tournai porcelain in existence. It is very finely painted with armorials and decorated with underglaze blue, enamelled reserves, and very richly tooled gilding in the ‘Gold Anchor’ style of the Chelsea porcelain factory. The enamelling is firmly attributed to Joseph (Henri-Joseph) Duvivier and the gilding rather more tentatively to Michel-Joseph Duvivier. The Chelsea factory had been founded by the Liége goldsmith Nicholas Sprimont, who recruited a number of Chelsea’s key workmen from the Low Countries, including Joseph Willems, his figure modeller, and a number of painters named Duvivier. When production declined in the 1760s, Willems and the Duviviers returned to the Continent, all finding work at Tournai. The Duviviers returned in 1762-3, clearly bringing Chelsea styles of decoration with them. In addition to being an exceptionally fine example of Tournai porcelain, the écuelle is a fascinating illustration of the link between the two factories, and, by virtue of its dateable armorials, a major documentary piece for Tournai. |
Collection | |
Accession number | C.6:1 to 3-2008 |
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Record created | June 24, 2009 |
Record URL |
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