Ecuelle thumbnail 1
On display
Image of Gallery in South Kensington

Ecuelle

ca. 1763 (made)
Artist/Maker
Place of origin

The arms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin, whose marriage took place in Lille on 28th March 1762.

This écuelle (broth bowl) is one of the finest pieces of Tournai porcelain in existence. It is very finely painted with armorials and decorated with underglaze blue, enamelled reserves, and very richly tooled gilding in the ‘Gold Anchor’ style of the Chelsea porcelain factory. The enamelling is firmly attributed to Joseph (Henri-Joseph) Duvivier and the gilding rather more tentatively to Michel-Joseph Duvivier. The Chelsea factory had been founded by the Liége goldsmith Nicholas Sprimont, who recruited a number of Chelsea’s key workmen from the Low Countries, including Joseph Willems, his figure modeller, and a number of painters named Duvivier. When production declined in the 1760s, Willems and the Duviviers returned to the Continent, all finding work at Tournai. The Duviviers returned in 1762-3, clearly bringing Chelsea styles of decoration with them. In addition to being an exceptionally fine example of Tournai porcelain, the écuelle is a fascinating illustration of the link between the two factories, and, by virtue of its dateable armorials, a major documentary piece for Tournai.

Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Ecuelle
  • Cover
  • Stand
Materials and techniques
Soft-paste porcelain, painted in underglaze blue and enamels, and gilded
Brief description
Porcelain ecuelle (broth bowl) painted with armorials in enamels by Henri-Joseph Duvivier, 1762-63, and gilded possibly by Michel-Joseph Duvivier, made in Tournai, Belgium
Physical description
Lobed, circular bowl, cover and stand with moulded rococo openwork scrollwork handles. All parts are painted with figures in landscapes settings in coloured enamels, and the base is painted with thearms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin supported by elaborate rococo scrollwork. The panels are reserved against an underglaze cobalt blue ground embellished with flowers, scrolls and insects in richly tooled gilding.
Dimensions
  • Stand width: 29.6cm
  • Bowl width: 19.8cm
Styles
Marks and inscriptions
A tower in gold painted on all three pieces
Credit line
Accepted by HM Government in lieu of inheritance tax and allocated to the Victoria and Albert Museum, 2007
Summary
The arms are those of Charles Francois, Comte de Lannoy et de Wattignies and Alexandrine Charlotte Marie de Hangouart, Baronne d’Avelin, whose marriage took place in Lille on 28th March 1762.

This écuelle (broth bowl) is one of the finest pieces of Tournai porcelain in existence. It is very finely painted with armorials and decorated with underglaze blue, enamelled reserves, and very richly tooled gilding in the ‘Gold Anchor’ style of the Chelsea porcelain factory. The enamelling is firmly attributed to Joseph (Henri-Joseph) Duvivier and the gilding rather more tentatively to Michel-Joseph Duvivier. The Chelsea factory had been founded by the Liége goldsmith Nicholas Sprimont, who recruited a number of Chelsea’s key workmen from the Low Countries, including Joseph Willems, his figure modeller, and a number of painters named Duvivier. When production declined in the 1760s, Willems and the Duviviers returned to the Continent, all finding work at Tournai. The Duviviers returned in 1762-3, clearly bringing Chelsea styles of decoration with them. In addition to being an exceptionally fine example of Tournai porcelain, the écuelle is a fascinating illustration of the link between the two factories, and, by virtue of its dateable armorials, a major documentary piece for Tournai.
Collection
Accession number
C.6:1 to 3-2008

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Record createdJune 24, 2009
Record URL
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