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Fork

1660-1690 (made)
Artist/Maker
Place of origin

Fork of chiselled steel with gilt ferrule, the handle on the form of a standing cupid leaning slightly to the left and draped in cloth, supporting an upright bow on the ground in his right hand. His left hand rests on a quiver full of arrows at his left hip, slung from his right shoulder.

Between the ferrule and the tines is a spool shaped shaft and pierced ornament. The fork has four tines each facetted to depict a running vine.

Object details

Categories
Object type
Materials and techniques
Forged and chiselled steel, with gilt ferrules.
Brief description
Fork of chiselled steel with gilt ferrule, the handle in the form of a Cupid, possibly Germany, 1660-90
Physical description
Fork of chiselled steel with gilt ferrule, the handle on the form of a standing cupid leaning slightly to the left and draped in cloth, supporting an upright bow on the ground in his right hand. His left hand rests on a quiver full of arrows at his left hip, slung from his right shoulder.

Between the ferrule and the tines is a spool shaped shaft and pierced ornament. The fork has four tines each facetted to depict a running vine.
Dimensions
  • Whole length: 15.1cm
  • Width: 1.6cm
  • Depth: 1.2cm
  • Cupid height: 5.8cm
Style
Credit line
Formerly in the Bernal Collection
Object history
Bought with 2255-1855 (knife) at the Bernal Collection sale in 1855 for £30

This fork and its accompanying knife were probably part of a larger set. The restrained and almost parallel profile of the figures on the handles and manner in which the design of the grapes and vines has been rounded at the ends, suggests they were designed for use rather than simply as ornament.

The handles are unusual. They take their inspiration from carved ivory, horn and wooden examples but are in steel. Moreover, whereas one might expect the steel to be cast, it has in fact been chiselled. The fineness of the work suggests the hand of the sword hilt maker.

Ebony, ivory, fish skin, tortoiseshell, amber, bone, horn and shell were all popular for decorating cutlery. Although cutlers were required by their guilds to be able to make a complete knife, handles of carved ivory, silver, bronze and glass were usually imported or made by specialist craftsmen.

Provenance
Ralph Bernal (1783-1854) was a renowned collector and objects from his collection are now in museums across the world, including the V&A. He was born into a Sephardic Jewish family of Spanish descent, but was baptised into the Christian religion at the age of 22. Bernal studied at Christ's College, Cambridge, and subsequently became a prominent Whig politician. He built a reputation for himself as a man of taste and culture through the collection he amassed and later in life he became the president of the British Archaeological Society. Yet the main source of income which enabled him to do this was the profits from enslaved labour.

In 1811, Bernal inherited three sugar plantations in Jamaica, where over 500 people were eventually enslaved. Almost immediately, he began collecting works of art and antiquities. After the emancipation of those enslaved in the British Caribbean in the 1830s, made possible in part by acts of their own resistance, Bernal was awarded compensation of more than £11,450 (equivalent to over £1.5 million today). This was for the loss of 564 people enslaved on Bernal's estates who were classed by the British government as his 'property'. They included people like Antora, and her son Edward, who in August 1834 was around five years old (The National Archives, T 71/49). Receiving the money appears to have led to an escalation of Bernal's collecting.

When Bernal died in 1855, he was celebrated for 'the perfection of his taste, as well as the extent of his knowledge' (Christie and Manson, 1855). His collection was dispersed in a major auction during which the Museum of Ornamental Art at Marlborough House, which later became the South Kensington Museum (now the V&A), was the biggest single buyer.
Historical context
Cupids, whose attributes include the bow and a quiver filled with arrows, were common decorative features of the 17th and 18th centuries. As symbols of love and temptation they served as a reminder, when used on cutlery, to control one's desire to over indulge. They may also suggest the cutlery was a marriage gift.

Before the mid-18th century, cutlery was a portable personal possession. Many were sold in protective leather cases that might contain only a single knife, fork and spoon. Large sets kept permanently for use in one house, even one room, were a later feature. You took your own cutlery on the road. To reveal a fine and expensive knife and fork communicated your wealth and taste to your host in much the same way as your clothing or jewellery.

17th century journals give a sense of the portable, personal and financial value of cutlery, particularly when they concern reports of highway robbery. In these accounts, which were particularly prevalent during wartime when underpaid soldiers were on the loose, the cutlery is itemised with the jewellery and finer fabrics. Hans Conrad Lang, of Isny in southern Germany, complained that his wife was held up near Achstetten, encountering several horsemen, "and all the rings on her fingers, her belt, her cutlery and two ducats were taken." Buttner, a pastor from Altenheim was "caught and robbed by an Imperialist patrol and lost 12fl. in cash, a new hat, and a knife and for inlaid with silver." Sautter, a priest from Ulm, described how he was attacked by two soldiers who took his money while a third searched him and "found a cutlery set on me , knife, fork and spoon, wuich might have been worth 7 or 8 R [Reichstaler], my rosary, my gloves, and he took them all."
Subjects depicted
Association
Associated object
Bibliographic references
  • The National Archives of the UK (TNA): Slave Registers: Jamaica: St. Ann. (1) Indexed, 1832, T 71/49
  • Christie and Manson, Catalogue of the Celebrated Collection of Works of Art, from the Byzantine Period to that of Louis Seize, of that Distinguished Collector, Ralph Bernal (London, 1855)
  • Hannah Young, ''The perfection of his taste': Ralph Bernal, collecting and slave-ownership in 19th-century Britain', Cultural and Social History, 19:1 (2022), pp. 19-37
Collection
Accession number
2255A-1855

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Record createdJune 24, 2009
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