Nobel
Bowl
1991 (designed), c.1994 (made)
1991 (designed), c.1994 (made)
Artist/Maker | |
Place of origin |
Bone china bowl and cover, bowl of conventional round form. The lid with a crown-shaped knob. Covered in a clear glaze. The lid is decorated around the rim with a strip of painted gilding, and on the top of the crown-shaped knob.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Title | Nobel (manufacturer's title) |
Materials and techniques | Bone china, gilding, painted, moulded |
Brief description | 'Nobel' bowl and cover of bone china, designed by Karin Björquist in 1991 for Gustavsberg, Sweden, c.1994. |
Physical description | Bone china bowl and cover, bowl of conventional round form. The lid with a crown-shaped knob. Covered in a clear glaze. The lid is decorated around the rim with a strip of painted gilding, and on the top of the crown-shaped knob. |
Dimensions |
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Marks and inscriptions | 'Rörstrand / SWEDEN / NOBEL JUBILEE 1991 / DESIGN KARIN BJÖRQUIST / MADE BY GUSTAVSBERG / BONE CHINA' (transfer-printed in gold on base) |
Credit line | Given by Hackman Rörstrand |
Object history | Designed for the 90th Jubilee Nobel Prize Banquet at Stolkholm in 1991 abd subsequently manufactured for general retail sale. Several items are marked with a representation of a Nobel Prize medal. Several items of the service are multi-functional and the service was marketed in four groups of Spring (Physics; America), Summer (Chemistry; Africa), Autumn (Medicine; Asia) and Winter (Literature; Europe). The quaternary theme is supposedly completed with reference to the 'four basic geometric shapes'. The art historian Äke Livstedt and the designer Magnus Silverhjelm were responsible for this conceptualization which was commissioned to 'renew the ceremonial framework' of the banquet. Table linen was designed by Ingrid Dessau (Klässbols Linneväveri), cutlery and glassware by Gunnar Cyrén (Gense and Orrefors) and the ceramics by Björquist (Röstrand). New pieces were added to the service once in production. The cover of this bowl is capable of being inverted and used as a plate with base or as an egg-cup. The crown form is said, in the promotional literature, to be symbolic of wealth, fecundity and intellect. |
Collection | |
Accession number | C.47:1, 2-1994 |
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Record created | June 24, 2009 |
Record URL |
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