Not currently on display at the V&A

Sealife

Dress Fabric
ca. 1946 (designed)
Artist/Maker
Place of origin

British artist and sculptor Henry Moore designed this print for the textile firm Ascher Limited, founded by Zika and Lida Ascher, Czech émigrés who moved to London in 1939. Along with other British and European artists, Moore was asked by Ascher to design prints for dress fabrics in order to create more exciting textiles than those that had been available during the Second World War.

Known as 'Eyebrows' for many years, this design's original title 'Sealife' was discovered on a tag pinned to a sample in the Ascher collection in 2006. Rather than eyebrows the black arches are in fact waves that cup squid-like amorphous shapes. The plant and animal life forms are not really identifiable, rather elements of a Surrealistic compliation in which the sea provides the medium for transformation.


Object details

Categories
Object type
TitleSealife (assigned by artist)
Materials and techniques
Screen-printed rayon
Brief description
Screen-printed rayon dress fabric 'Sealife', designed by Henry Moore for Ascher Ltd., London, ca. 1946
Physical description
Screen-printed rayon dress fabric with a drawn design of horizontal rows of white and black abstract motifs that resemble plant and animal life forms, all on a light brown ground.
Dimensions
  • Height: 48cm
  • Width: 45.8cm
Marks and inscriptions
Transliteration
.
Object history
Purchased. Registered File number 1992/465.
Summary
British artist and sculptor Henry Moore designed this print for the textile firm Ascher Limited, founded by Zika and Lida Ascher, Czech émigrés who moved to London in 1939. Along with other British and European artists, Moore was asked by Ascher to design prints for dress fabrics in order to create more exciting textiles than those that had been available during the Second World War.

Known as 'Eyebrows' for many years, this design's original title 'Sealife' was discovered on a tag pinned to a sample in the Ascher collection in 2006. Rather than eyebrows the black arches are in fact waves that cup squid-like amorphous shapes. The plant and animal life forms are not really identifiable, rather elements of a Surrealistic compliation in which the sea provides the medium for transformation.
Collection
Accession number
T.96-1992

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Record createdJune 24, 2009
Record URL
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