Pillar thumbnail 1
Pillar thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Buddhism, Room 20, The Robert H. N. Ho Family Foundation Galleries of Buddhist Art

Pillar

1st century BC-1st century AD (made)
Artist/Maker
Place of origin

This pillar was found in Bodhgaya, Bihar, in Eastern India, and dates from the early 1st century. It formed part of the original sandstone railing encircling the tree shrine at Bodhgaya, marking the site of the Buddha's enlightenment.
The surviving section represents the upper section of the pillar, and is decorated on two faces with roundels. The upper roundels depict devotees worshipping the sacred Bodhi tree and a scene of a princely figure receiving a hunter with a bird on a pole. This is probably a scene from the Hamsa Jataka story, which recounts the Buddha's previous existence as a goose who offered his life for another. A Brahmi inscription records the pillar as 'the gift of the noble lady Kurangi'.


Object details

Categories
Object type
Materials and techniques
Carved sandstone
Brief description
Sandstone pillar from Bodhgaya, Bihar, Eastern India
Physical description
A damaged upper section of an octagonal pillar in red sandstone with upper and lower roundels on opposing sides and pairs of oval-shaped mortises with pointed ends on the other two sides carved to receive the horizontal rails of the enclosure. The upper roundels, which are missing their sides and top parts depict scenes within a simple circular moulding. One of them depicts three turbaned devotees standing on a raised platform (with the outermost one largely broken off) shown in three-quarter profile, worshipping the sacred Bodhi tree which inclines towards them on the left. The roundel below, which has only a piece on the right hand side missing, is carved with a head and shoulders bust of a man gazing out to the right of an onlooker. He is wearing an elaborate turban twisted with a large knot tilted on the right hand side of his head. His hair is brushed back from his forehead and marked with incised lines, and on his shoulders rest two cylindrical earrings. Behind him, on his left side, radiate a series of fish-tail ended ribbons, filling the concave circular centre. This is encircled with a multi-petalled lotus blossom which has beaded ornamentation down the centres of each of the front petals set within a plain circular moulding.
On the reverse side of the pillar the upper roundel depicts a scene of a princely figure seated at royal ease on a plain throne resting on a multi-arched platform under an umbrella with a female attendant behind him holding a fly whisk as he receives a hunter with what appears to be a bird on a pole. This probably represents a scene from the Hansa Jataka story, relating to one of the Buddha's previous existences as a goose who offered his life for another. The roundel below is similar to the one on the other side with a lotus frame, although the front petals here have only an incised central line with no beading. The central part is carved with a winged elephant, passant, facing left with its front right foot raised. There are inscriptions carved on both of the front facets of the decorated sides.
Dimensions
  • Height: 116.5cm
  • Width: 37cm
  • Depth: 30cm
  • Weight: 256kg (Note: Weight taken by Technical Services on de-installation for 'Tree and Serpent' exhibition loan.)
Style
Marks and inscriptions
  • carved inscription in Ashokan Brahmi characters, Ayaye Kuramgiye danam (The inscription is carved across the centre of the front facet of the pillar beneath the medallion of the devotees before the Sacred Pipal or Bodhi Tree. On a coping stone from the same site the lady is described as the wife of Indragnimitra (see T. Bloch).)
    Translation
    'the gift of the noble lady Kurangi'
  • carved inscription ; Vallabhasya (the inscription is carved in Nagari characters dating from about the 10th century)
    Translation
    'of Vallabha'
Gallery label
Pillar from the Buddhist Tree Shrine at Bodhgaya 1–100 Shunga period The Buddha achieved enlightenment under a bodhi tree. The site of this tree later became a shrine,enclosed by a railing to mark the path of the pilgrims’ritual circular walk. This pillar once formed part of that railing.One scene shows worshippers before the sacred tree.Another shows one of the Buddha’s previous lives,as a golden goose who was captured by a hunter but later released by the king after preaching the Buddhist law. Sandstone Eastern India Found at Bodhgaya, Bihar Inscribed in Brahmi as ‘the gift of the noble lady Kurangi’ Given by Surgeon-Major F.A.Turton Museum no. IS.1065-1883 (06/06/2011)
Credit line
Given by Surgeon-Maj. F. A. Turton
Object history
This pillar was one of the pillars discovered at Bodhgaya during excavations in 1862 and 1873 by General Cunningham, which he recognised had been part of the ancient railing which encircled the sacred Bodhi tree under which the Siddhartha Gautama gained Enlightenment and became the first historical Buddha at the end of the 6th century B.C. Two sets of pillars were discovered by Cunningham of which this pillar belongs to the earlier set made of a sandstone from the Kaimur hills near Sasseram in the district of Shahabad. According to T. Bloch fifteen of the early pillars share a dedication by the Lady Kurangi. According to Cunningham three pillars were sent to South Kensington, but there are Museum records only for this pillar.
Subject depicted
Summary
This pillar was found in Bodhgaya, Bihar, in Eastern India, and dates from the early 1st century. It formed part of the original sandstone railing encircling the tree shrine at Bodhgaya, marking the site of the Buddha's enlightenment.
The surviving section represents the upper section of the pillar, and is decorated on two faces with roundels. The upper roundels depict devotees worshipping the sacred Bodhi tree and a scene of a princely figure receiving a hunter with a bird on a pole. This is probably a scene from the Hamsa Jataka story, which recounts the Buddha's previous existence as a goose who offered his life for another. A Brahmi inscription records the pillar as 'the gift of the noble lady Kurangi'.
Bibliographic references
  • Cunningham, A., Mahabodhi, London, 1892, p.14, No. 12, pl. VIII, fig. 13 Bloch, T., Archaeological Survey of India, Annual Report, 1908-1909, Calcutta, 1912, p. 146 Barnett, L.D., 'Inscriptions in the Victoria and Albert Museum', Journal of the Royal Asiatic Society, London, April 1915, pp. 337-339 Indian Art: large Picture Book No 36, V&A Museum, 1969, pl. 1 Starza, O.M., The Bodhgaya Pillar, V&A Museum, 1974
  • Starza, O.M. The Bodhgaya Pillar. London, Victoria and Albert Museum, 1974. ISBN 0 901486 84 1. 8p, ill.
  • Barnett, L.D. J.R.A.S., 1915 Pt. I, p. 337.
  • Codrington, K. de B. Ancient India, 1926, Pl. XIV.
  • Coomaraswamy, A.K. 'La sculpture de Bodh Gaya', Ars Asiatica No. 18, 1935, Pl. XXXVII, and p. 58.
  • Guy, John. Indian Temple Sculpture, London : V&A Publications, 2007. p.29. pl.26. ISBN 9781851775095
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 23, cat. no. 35
  • Irwin, John C., Indian Art, Victoria and Albert Museum, London: H. M. Stationery Office, 1968 pl. 1
  • Clarke, John; The New Robert H.N. Ho Family Foundation Galleries of Buddhist Art at the Victoria and Albert Museum, Orientations; vol. 48. no. 5, September/October 2017, p. 62, fig. 2.
Collection
Accession number
IS.1065-1883

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Record createdFebruary 13, 2000
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