Cutting Fascine
Tapestry
1718-1719 (made)
1718-1719 (made)
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Place of origin |
Tapestry woven in silk and wool. The tapestry is framed with borders of military trophies with a larger trophy of flags and lances at the centre top surmounted by trumpets crossed through a laurel wreath. The trophy in the centre of the lower border has bundles of staves, axes and weapons.
The central scene shows a mounted officer in the foreground supervising the collection of wood, while other soldiers chop down trees, cut branches and bind them into bundles. Behind them, three men are riding off with bundles through groups of men similarly occupied to a distant camp. A cuirass and jacket lie discarded in the left corner.
The central scene shows a mounted officer in the foreground supervising the collection of wood, while other soldiers chop down trees, cut branches and bind them into bundles. Behind them, three men are riding off with bundles through groups of men similarly occupied to a distant camp. A cuirass and jacket lie discarded in the left corner.
Object details
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Materials and techniques | Tapestry woven in silk and wool |
Brief description | Tapestry 'Cutting Fascine' woven in silk and wool, from the series 'The Art of War', designed by Philipp De Hondt, woven by Judocus de Vos, Brussels, 1718-1719 |
Physical description | Tapestry woven in silk and wool. The tapestry is framed with borders of military trophies with a larger trophy of flags and lances at the centre top surmounted by trumpets crossed through a laurel wreath. The trophy in the centre of the lower border has bundles of staves, axes and weapons. The central scene shows a mounted officer in the foreground supervising the collection of wood, while other soldiers chop down trees, cut branches and bind them into bundles. Behind them, three men are riding off with bundles through groups of men similarly occupied to a distant camp. A cuirass and jacket lie discarded in the left corner. |
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Marks and inscriptions | 'B B B' (woven on the lower right edge) |
Credit line | Given by Mrs Josa Finney, in memory of her late husband, Oswald James Finney |
Object history | The first 'Art of War' series was designed by Lambert de Hondt and woven by Jerome Le Clerc and Gaspar van der Borght. This tapestry is from the second series woven by de Vos and designed by Phillipe de Hondt. Some sets of the second series include scenes and figures borrowed from the cartoons of the 'Battles of the Duke of Marlborough'. The 'Art of War' tapestries belonging to Mr Finney were reputed to be the set which was made for Augustus the Strong of Saxony in 1708. This date, given by Schmitz in Bildteppiche (3rd ed., p.256) is probably a mistake for 1718 as a scene taken from the 'Battle of Blenheim' in the Dresden set could not have been used until after 1717. 'The March', 'The Camp' and 'Cutting Fascines' are illustrated in Ackerman. 'The Siege' and 'The Ambush', not known to Ackerman, appear to be part of the same set, which Bernheimer stated was of eight pieces. Of the two further pieces illustrated by Ackerman, 'The Halt' is now in the National Museum, Warsaw, and the tapestry after 'Blenheim' was on the art market in 1964. The eighth, missing piece may have been similar to Marlborough's tapestry of 'Malplaquet' for the Dresden set was known as 'Die Schlachten bei Höchstädt und Malplaquet' |
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Collection | |
Accession number | T.286-1972 |
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Record created | June 17, 2009 |
Record URL |
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