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George II thumbnail 2

George II

Bust
1760 (made)
Artist/Maker
Place of origin

Although this bust is dated 1760, it is a late, probably workshop version of a bust Rysbrack executed in 1738. It is likely to have been produced to commemorate the King shortly after his death.
Rysbrack produced two busts of George II in 1738, one in terracotta and another in marble, which are both in the Royal Collection at Windsor.

Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.

Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Bust
  • Socle
  • Bust
TitleGeorge II (generic title)
Materials and techniques
Marble
Brief description
Bust, marble, George II, by the workshop of John Michael Rysbrack, England, 1760
Physical description
Bust, marble. The head crowned with a laurel wreath is turned slightly to the right; the king wears fantastic armour with field marshal's scarf, the star of the garter and, on a ribbon round his neck, the jewel of the garter. The armour is ornamented with lion mask pauldrons and a medusa head. The bust is signed at the back with the initials M.R and dated 1760.
Dimensions
  • Height: 89cm
Marks and inscriptions
'M.R' (signed on the back)
Gallery label
(2021)
John Michael Rysbrack (1694–1770)
Bust of George II (reigned 1727–60)
Signed and dated 1760

Rysbrack was born in Antwerp but spent most of his career in England where he became one of the leading sculptors. In 1738, King George II commissioned him to make a portrait bust, now in the Royal Collection. When the king died, Rysbrack, or more probably his workshop, produced the version of the bust you see here in commemoration.

London
Marble
Object history
Purchased for £105 from Alfred Spero. In the sale of the property of the late W.J. Broderip Esq., held by Messrs Christie & Manson, 8 King Street, St James, London, on 13 June 1859; it is not possible to confirm if the bust is identical with the present piece.
Subject depicted
Summary
Although this bust is dated 1760, it is a late, probably workshop version of a bust Rysbrack executed in 1738. It is likely to have been produced to commemorate the King shortly after his death.
Rysbrack produced two busts of George II in 1738, one in terracotta and another in marble, which are both in the Royal Collection at Windsor.

Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Bibliographic references
  • Arundell Esdaile. The Art of Rysbrack in Terracotta. Spink and Son. 1932. pp.41-2. pl. VIII.
  • cf.Longhurst, M.H. English Ivories. 1926. pl.55.
  • Whinney, Margaret, Sculpture in Britain 1530-1830. 2nd ed. London: Penguin, 1988 p.450, note. 16
  • Bilbey, Diane and Trusted, Marjorie, British Sculpture 1470-2000: A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V&A Publications, 2002 pp. 141. cat. no. 194
  • Review [1911-1938], Victoria & Albert Museum. Review of the Principal Acquisitions during the Year, London, 1912-1939, 1932, pp. 4-5, and pl. 4(b)
  • Whinney, Margaret, English Sculpture 1720-1830. London: H. M. Stationery Off., 1971 p. 52, cat. no. 12, illus. on p. 53
  • Kerslake, J., Early Georgian Portraits, I (text), London, 1977, p. 94
  • Kerslake, J., Early Georgian Portraits, II (plates), London, 1977, pl. 254
  • Snodin, Michael and Styles, J., Design and the Decorative Arts: Britain 1500-1900, London, 2001, fig. 8 on p. 160
Collection
Accession number
A.10:1 to 3-1932

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Record createdJune 15, 2009
Record URL
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