Alderman John Boydell, Lord Mayor of London in 1790
Bust
ca. 1791 (made)
ca. 1791 (made)
Artist/Maker | |
Place of origin |
This painted plaster bust is made by Thomas Banks in ca. 1791 in England. The present piece is probably the model for a marble bust of Boydell originally in the Church of St Olave's Jewry, London. The Church was demolished in 1888, and the bust was subsequently removed to the Church of St Margaret's, Lothbury. Boydell was a print-seller and engraver and patron of the arts.
Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.
Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.
Object details
Categories | |
Object type | |
Title | Alderman John Boydell, Lord Mayor of London in 1790 (generic title) |
Materials and techniques | Painted plaster |
Brief description | Bust, painted plaster, of Alderman John Boydell (1719-1804), Lord Mayor of London in 1790, by Thomas Banks, England, ca. 1791 |
Physical description | Bust of Boydell in Mayoral Robes. He is looking forward, the head turned slightly to the left. |
Dimensions |
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Object history | Purchased from Miss Annie Bacon, 17 Gilston Road, London, together with cat. no. 261 in 1931 for £15. The bust belonged to Miss Bacon and her sister. Miss Bacon was apparently a descendant- possibly the great-granddaughter of the sculptor John Bacon the Elder. Fifty-four drawings for monuments by John Bacon the Elder and John Bacon the Younger were also purchased from Miss Bacon at this time; the total price of £45 included the two busts. The drawings are held in the department of Prints, Drawings and Paintings. A collection of sculptor's tools previously belonging the Bacon the Elder was given by the great-great-great granddaughter of the sculptor in 1998. |
Subjects depicted | |
Summary | This painted plaster bust is made by Thomas Banks in ca. 1791 in England. The present piece is probably the model for a marble bust of Boydell originally in the Church of St Olave's Jewry, London. The Church was demolished in 1888, and the bust was subsequently removed to the Church of St Margaret's, Lothbury. Boydell was a print-seller and engraver and patron of the arts. Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials. |
Bibliographic references |
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Collection | |
Accession number | A.19-1931 |
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Record created | June 12, 2009 |
Record URL |
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