Inkstand thumbnail 1
Inkstand thumbnail 2
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Not on display

Inkstand

1905-1910 (made)
Artist/Maker
Place of origin

Born in Cronkborne, Isle of Man, the son of a marine engineer, Archibald Knox studied from 1878 to 1884 at the Douglas School of Art, where he subsequently taught towards the end of his career. From 1892 to 1896 Knox was probably attached to Baillie Scott's office in the Isle of Man. In 1897 he moved to London and in 1898 he was attached to the Silver Studio, who marketed some of his textile designs. In about 1898, Knox began to design for Liberty's, to whom he was probably introduced by Baillie Scott, who had designed Liberty textiles in 1893. Liberty's had been importing pewter by Kayser of Krefeld designed by Hugo Leven. Knox designed metalwork to compete with Kayser, the Cymric range of silver from 1899 and the Tudric range of pewter from 1903. Knox's designs used interlaced ornament of a Celtic character; as well as metalwork he designed carpets, textiles and jewellery.

From 1900 to 1904, Knox went back to the Isle of Man, working for the Silver Studio and hence Liberty's on a freelance basis. He then returned to London teaching at various art schools, including that at Kingston, whence he resigned when in 1911 after his methods were criticised as unorthodox by the South Kensington examiners. A group of Kingston students then seceded from the Art School and established the Knox Guild of Craft and Design, which survived until 1939. Knox's style began to go out of fashion in about 1909, when Liberty's sold a number of his metalwork designs to James Connell & Co. He ceased his association with Liberty & Co. in 1912 and went to Philadelphia where he designed carpets for Bromley & Co. He returned to the Isle of man in 1913 and died there in 1933. When Arthur Lasenby Liberty died in 1917, Knox designed his tombstone.

Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Inkstand With Perpetual Calendar
  • Ink Bottle for an Inkstand
  • Ink Bottle for an Inkstand
Materials and techniques
Pewter, cast with enamel decoration, celluloid panels
Brief description
Pewter with enamel decoration, glass and celluloid, Birmingham, 1905-10, made by W.H. Haseler for Liberty & Co., probably designed by Archibald Knox
Physical description
Inkstand and calendar, pewter with enamel decoration. The base is in the form of a rectangular tray with a central, circular design of swirling stems which protrudes beyond the sides. It has two compartments for ink bottles and an upright pewter frame on one side to hold the calendar sheets. The whole stands on four squat rounded feet, The ink bottles are square, glass with hinged pewter lids; the lids are deorated with a swirling motif and a blue-green enamel stud on a copper base. The cvalendar consists of seven celluloid sheets; three for the months and four for the days.
Dimensions
  • Height: 4.5in
  • Width: 6.375in
  • Length: 10in
Style
Marks and inscriptions
Stamped on the base: 3 / English Pewter / 01060
Gallery label
(20/06/2013)
Liberty and Co. commissioned innovative designers such as Archibald Knox to create work for their London shop. The Tudric pewter range was produced from 1903 by the Birmingham firm of W.H. Haseler and shows the revival of Celtic design motifs. This inkstand has a perpetual calendar made of celluloid plastic, pots for two colours of ink but no pounce pot as commercially produced blotting paper had made this unnecessary
Credit line
Given by Martin Battersby
Summary
Born in Cronkborne, Isle of Man, the son of a marine engineer, Archibald Knox studied from 1878 to 1884 at the Douglas School of Art, where he subsequently taught towards the end of his career. From 1892 to 1896 Knox was probably attached to Baillie Scott's office in the Isle of Man. In 1897 he moved to London and in 1898 he was attached to the Silver Studio, who marketed some of his textile designs. In about 1898, Knox began to design for Liberty's, to whom he was probably introduced by Baillie Scott, who had designed Liberty textiles in 1893. Liberty's had been importing pewter by Kayser of Krefeld designed by Hugo Leven. Knox designed metalwork to compete with Kayser, the Cymric range of silver from 1899 and the Tudric range of pewter from 1903. Knox's designs used interlaced ornament of a Celtic character; as well as metalwork he designed carpets, textiles and jewellery.

From 1900 to 1904, Knox went back to the Isle of Man, working for the Silver Studio and hence Liberty's on a freelance basis. He then returned to London teaching at various art schools, including that at Kingston, whence he resigned when in 1911 after his methods were criticised as unorthodox by the South Kensington examiners. A group of Kingston students then seceded from the Art School and established the Knox Guild of Craft and Design, which survived until 1939. Knox's style began to go out of fashion in about 1909, when Liberty's sold a number of his metalwork designs to James Connell & Co. He ceased his association with Liberty & Co. in 1912 and went to Philadelphia where he designed carpets for Bromley & Co. He returned to the Isle of man in 1913 and died there in 1933. When Arthur Lasenby Liberty died in 1917, Knox designed his tombstone.
Collection
Accession number
CIRC.937 to B-1967

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Record createdJune 3, 2009
Record URL
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