Guy Little Theatrical Photograph
Photograph
mid to late 19th century (photographed), ca. 2000s (copied)
mid to late 19th century (photographed), ca. 2000s (copied)
Artist/Maker | |
Place of origin |
Photograph of Jolly John Nash (1830-1901), the music hall singer who was a great favourite at the Oxford Music Hall in the 1860s and later at the Strand Music Hall where he became famous for his 'laughing songs' including 'How They Laugh', 'Very Amusing Indeed', 'Laughing Gas', 'Laughing Girls' and 'Jog Along Boys'. This photograph comes from a large collection of ‘cartes de visite’ and ‘cabinet cards’ removed from their backings and mounted in albums by Guy Tristram Little (d.1953) who bequeathed them to the V&A. A collector of greetings cards, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster, and the solicitor and executor of Mrs. Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A.
Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name.
‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits.
Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name.
‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits.
Object details
Categories | |
Object type | |
Title | Guy Little Theatrical Photograph (named collection) |
Materials and techniques | Sepia photograph on paper |
Brief description | Photograph of Jolly John Nash (1830-1901), mid to late 19th c. Guy Little Collection. |
Physical description | Sepia photograph of Jolly John Nash. Facsimile |
Dimensions |
|
Production type | Copy |
Marks and inscriptions | 'Jolly John Nash' (Written in ink on mount of photograph.) |
Object history | This is one of the outstanding collection of 19th century photographs owned by Guy Little presented to the museum in the early 20th century. |
Production | Attribution note: Photographic copy of original 19th c. photograph. |
Subject depicted | |
Summary | Photograph of Jolly John Nash (1830-1901), the music hall singer who was a great favourite at the Oxford Music Hall in the 1860s and later at the Strand Music Hall where he became famous for his 'laughing songs' including 'How They Laugh', 'Very Amusing Indeed', 'Laughing Gas', 'Laughing Girls' and 'Jog Along Boys'. This photograph comes from a large collection of ‘cartes de visite’ and ‘cabinet cards’ removed from their backings and mounted in albums by Guy Tristram Little (d.1953) who bequeathed them to the V&A. A collector of greetings cards, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster, and the solicitor and executor of Mrs. Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A. Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name. ‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits. |
Associated objects | |
Other number | GLC XIV.x.11.5 - Guy Little album identification numbering |
Collection | |
Accession number | S.146:637-2007 |
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Record created | May 28, 2009 |
Record URL |
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