Wilfrid R. Addey (1912-1999) worked as a commercial artist for over sixty years, working for Dorland Advertising and Mitchells among other London advertising firms. His work shows the range of products and illustration styles, from aeroplanes and cars, beer and perfume, to satirical cartoons and calendar pin-up girls and is representative of the post war boom in advertising during the late 1940s and 1950s.

This watercolour shows a pin-up girl kneeling on the floor facing left while turning her head slightly out to the audience. She is shown wearing a blue negligee, which she lifts off her shoulders to reveal a blue brassiere and corset with black lace The figure type, with her thin high eyebrows, long eyelashes, defined lips, long face and long willowy body is typical of the 1940s.