Not on display

The Rivington Place Portfolio

Print
2006 (printed and published)
Artist/Maker
Place of origin

This print by Chris Ofili (born Manchester, 1968) was made for The Rivington Place Portfolio (see E.163:1 to :9-2009). Ofili is best known as a painter. He has been considered as something of a maverick amongst black British artists for the way in which he has used the stereotype black man/woman, but he has used this motif with sophisticated irony to explore black experience often through the prism of historic European painting. In After the Dance Ofili has produced a silkscreen print which mixes references, visual and cultural, derived from jazz, as well as sources in art history ranging from Symbolism and German Expressionism to Picasso. The setting is inspired by Trinidad, where he has lived since 2005, and the dancing couple in this earthly paradise are lifted directly from a 1960s photograph by the acclaimed Malian photographer, Malick Sidibé. The photograph has a personal resonance for Ofili, and he owns a copy of it.

Object details

Categories
Object type
Titles
  • The Rivington Place Portfolio (series title)
  • After the Dance (assigned by artist)
Materials and techniques
Silkscreen on Somerset Velvet paper
Brief description
Chris Ofili: After The Dance (from The Rivington Place Portfolio), screenprint, 2006
Physical description
Print
Dimensions
  • Height: 76cm
  • Width: 51cm
Copy number
27/50
Marks and inscriptions
27/50 'After the Dance' Ofili 2006 BRODSKY CENTER 07-329 (Edition number, title, signature, date, publisher and publisher's reference number; all in pencil)
Credit line
Purchased through the generous support of the Friends of the V&A
Subject depicted
Summary
This print by Chris Ofili (born Manchester, 1968) was made for The Rivington Place Portfolio (see E.163:1 to :9-2009). Ofili is best known as a painter. He has been considered as something of a maverick amongst black British artists for the way in which he has used the stereotype black man/woman, but he has used this motif with sophisticated irony to explore black experience often through the prism of historic European painting. In After the Dance Ofili has produced a silkscreen print which mixes references, visual and cultural, derived from jazz, as well as sources in art history ranging from Symbolism and German Expressionism to Picasso. The setting is inspired by Trinidad, where he has lived since 2005, and the dancing couple in this earthly paradise are lifted directly from a 1960s photograph by the acclaimed Malian photographer, Malick Sidibé. The photograph has a personal resonance for Ofili, and he owns a copy of it.
Collection
Accession number
E.163:8-2009

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Record createdMay 6, 2009
Record URL
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