Sylvan
Book-End
ca. 1930 (made)
ca. 1930 (made)
Artist/Maker | |
Place of origin |
Flat backed book-end of stoneware in the form of a three-masted sailing galleon and glazed with a mottled green glaze, and the base is decorated with moulded wave shapes.
Object details
Categories | |
Object type | |
Title | Sylvan (manufacturer's title) |
Materials and techniques | Stoneware with mottled green glaze |
Brief description | 'Sylvan' stoneware book-end in the form of a three-masted sailing galleon, with a mottled green glaze, made by Carter, Stabler & Adams Ltd., Poole, ca. 1930. |
Physical description | Flat backed book-end of stoneware in the form of a three-masted sailing galleon and glazed with a mottled green glaze, and the base is decorated with moulded wave shapes. |
Dimensions |
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Marks and inscriptions | 'CARTER / STABLER & / ADAMS Ltd / POOLE / ENGLAND' (Moulded within a rectangular border) |
Gallery label |
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Object history | One of a pair of book-ends CIRC.558&A-1976. |
Historical context | Carter, Stabler & Adams were sensitive to the demands of the fashion-conscious market and interested in experimenting with different glazes. The 'Sylvian' mottled glaze was introduced by the pottery in the early 1930s. The green of this book-end is very typical of the period. This book-end or mantlepiece ornament is a mass-produced version of an original galleon designed by the sculptor and partner of the firm Harold Stabler (1872-1945) which may have been modelled on a famous local pirate ship, the 'Harry Paye'. The galleon was frequently used as a symbol for the Carter, Stabler & Adams pottery. In the 1930s this bookend would have added a cottagey effect in the decoration of homes in the rapidly spreading suburbs and would have evoked nostalgic images of Raleigh and Drake and Britain in its greatness as a sea-fearing nation: a symbol of freedom and life's rich passage. Harold Stabler trained as a wood-carver and metalworker in the Arts and Crafts style. He became dissatisfied with this approach and in 1912 he became a founder memeber of the Design and Industries Association and is well-known as the designer of posters and tiles for the London Underground. He taught at the Royal College of Art from 1912 to 1926. [Susan McCormack, 'British Design at Home', p.112] |
Subject depicted | |
Collection | |
Accession number | CIRC.558A-1976 |
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Record created | February 8, 2000 |
Record URL |
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