Not on display

Jamie Reid archive

Artwork
1977 (designed)
Artist/Maker
Place of origin

This artwork is the original design for Virgin Records promotional posters for the Pretty Vacant single of July 1977. The black and white bus artwork, feauring the destinations 'Nowhere' and 'Boredom', is typical of Sex Pistols desire to be seen as being, and representing, angry young men with no purpose. A white on black version of the buses is used on the rear sleeve of the single.

Jamie Reid's cut-and-paste aesthetic, as seen on this artwork, developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.

Object details

Categories
Object type
TitleJamie Reid archive (named collection)
Materials and techniques
Xerography, collage and pencil on paper
Brief description
Original artwork for promotional material for the Sex Pistols single, Pretty Vacant
Physical description
Artboard square, with yellow paper cover. Under cover is a sheet of tracing cell. Under this is a xeroxed and collaged design featuring two buses and the band and single name.
Dimensions
  • Closed height: 11.8cm
  • Open height: 23.5cm
  • Width: 13cm
Marks and inscriptions
  • SeX PiSTOLS / NEW SINGLE ON / VIRGIN / RECORDS / VS184 / pretty vacant
  • NOWHERE
    Translation
    Appears on destination sign of left bus
  • BOREDOM
    Translation
    Appears on destination sign of right bus
  • Transliteration
Subjects depicted
Summary
This artwork is the original design for Virgin Records promotional posters for the Pretty Vacant single of July 1977. The black and white bus artwork, feauring the destinations 'Nowhere' and 'Boredom', is typical of Sex Pistols desire to be seen as being, and representing, angry young men with no purpose. A white on black version of the buses is used on the rear sleeve of the single.

Jamie Reid's cut-and-paste aesthetic, as seen on this artwork, developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.
Associated object
S.778-1990 (Version)
Collection
Accession number
S.862-1990

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Record createdApril 22, 2009
Record URL
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