Mary Eastlake as Nelly Denver
Photograph
1882 (photographed)
1882 (photographed)
Artist/Maker | |
Place of origin |
Photograph of Mary Eastlake as Nellie Denver in The Silver King, Princess's Theatre.
Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name.
‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits.
This photograph comes from a large collection of ‘cartes de visite’ and ‘cabinet cards’ removed from their backings and mounted in albums by Guy Tristram Little (d.1953) who bequeathed them to the V&A. A collector of greetings cards, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster, and the solicitor and executor of Mrs. Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A.
Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name.
‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits.
This photograph comes from a large collection of ‘cartes de visite’ and ‘cabinet cards’ removed from their backings and mounted in albums by Guy Tristram Little (d.1953) who bequeathed them to the V&A. A collector of greetings cards, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster, and the solicitor and executor of Mrs. Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A.
Object details
Categories | |
Object type | |
Title | Mary Eastlake as Nelly Denver |
Materials and techniques | Sepia photograph on paper |
Brief description | Photograph of Mary Eastlake as Nelly Denver in The Silver King, Princess's Theatre, 1882, Guy Little Collection. |
Physical description | Sepia photograph of Mary Eastlake as Nellie Denver in The Silver King, Princess's Theatre. |
Dimensions |
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Marks and inscriptions | 'Mary Eastlake / in "The Silver King"? / From Miss Dick's Collection / Bassano' (Written in pencil on back of photograph.) |
Object history | This is one of the outstanding collection of 19th century photographs owned by Guy Little presented to the museum in the early 20th century. |
Subject depicted | |
Literary reference | The Silver King |
Summary | Photograph of Mary Eastlake as Nellie Denver in The Silver King, Princess's Theatre. Photography was a novel and exciting development in Victorian days. Most actors and actresses had studio photographs taken, in everyday dress or theatrical costume, for ‘cartes de visite’, and later ‘cabinet cards’. Both were albumen prints made from glass negatives, attached to stiff card backing printed with the photographer’s name. ‘Cartes de visite’, the size of formal visiting cards, were patented in 1854 and produced in their millions during the 1860s when it became fashionable to collect them. Their subjects included scenic views, tourist attractions and works of art, as well as portraits. They were superseded in the late 1870s by the larger and sturdier ‘cabinet cards’ whose popularity waned in turn during the 1890s in favour of postcards and studio portraits. This photograph comes from a large collection of ‘cartes de visite’ and ‘cabinet cards’ removed from their backings and mounted in albums by Guy Tristram Little (d.1953) who bequeathed them to the V&A. A collector of greetings cards, games and photographs, Guy Little was a partner in the legal firm Messrs Milles Jennings White & Foster, and the solicitor and executor of Mrs. Gabrielle Enthoven, whose theatrical collection formed the basis of the Theatre Collections at the V&A. |
Associated object | |
Other number | GLC XIII.vii.2.1 - Guy Little album identification numbering |
Collection | |
Accession number | S.145:380-2007 |
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Record created | April 22, 2009 |
Record URL |
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