Request to view

This object can be requested via email from the Prints & Drawings Study Room

We don’t have an image of this object online yet.

More about images

V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.832-1996

The Blinding of Elymas

Print
1840s (made)
Artist/Maker
Place of origin

This picture represents Saint Paul's first miracle, performed in the presence of the Proconsul Sergius Paulus. Elymas, who was adviser to the Proconsul, and had previously ordered Paul to be whipped for his Christian faith, was struck blind by words spoken to him by Saint Paul. This event led to the Proconsul's conversion to Christianity.

This embossed image is in the same direction as the cartoon from which it is derived. The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.

Object details

Categories
Object type
Titles
  • The Blinding of Elymas (popular title)
  • Elymas the Sorcerer Struck Blind (popular title)
  • Raphael Cartoons (generic title)
  • The Conversion of the Proconsul (popular title)
  • The Conversion of Sergius Paulus (popular title)
Materials and techniques
blind embossing and cameo embossing
Brief description
Embossed paper tableau from the Raphael Cartoons - Blinding of Elymas the Sorcerer; maker Dobbs Bailey & Co., London; British, 1840s.
Physical description
Embossed paper tableau based on one of the Raphael Cartoons, consisting of a low relief image in white of the cartoon, surrounded by a border, with stylized floral decoration in white against green.

An interior with columns. Elymas is front right of the image, Saint Paul front left holding a book. The Proconsul L Sergius Paulus sits on his throne on a platform wearing a laurel crown, and surrounded by followers, two of whom hold large scrolls. The platform has stone carving, an inscription and a military trophy decoration (in this image barely visible).

This image is in the same direction as the cartoon from which it is derived.
Dimensions
  • Sheet height: 27.2cm
  • Sheet width: 37.3cm
  • Image with border height: 22cm
  • Image with border width: 25.2cm
Marks and inscriptions
  • EMBOSSED TABLEAUX (In band within coloured border at top centre)
  • DOBBS BAILEY & CO. LONDON (Within coloured border, just below lower border, centre)
  • ELYMAS THE SORCERER STRUCK BLIND / RAPHAEL (In band in coloured border below image, centred)
  • No. 1803 (Embossed lower right corner within main image)
Subjects depicted
Literary referenceBible, Acts, 13
Summary
This picture represents Saint Paul's first miracle, performed in the presence of the Proconsul Sergius Paulus. Elymas, who was adviser to the Proconsul, and had previously ordered Paul to be whipped for his Christian faith, was struck blind by words spoken to him by Saint Paul. This event led to the Proconsul's conversion to Christianity.

This embossed image is in the same direction as the cartoon from which it is derived. The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.
Associated object
ROYAL LOANS.8 (Source)
Bibliographic references
  • Hall, John. Embossed Images on Paper: A Display at the Victoria and Albert Museum, South Kensington, London, 28 March - 29 October 1996, Part II. London: Kingston University, 1996. p.61
  • Shearman, John. Raphael's Cartoons in the collection of Her Majesty the Queen and the tapestries for the Sistine Chapel. London, Phaidon, 1972.
  • Fermor, Sharon. The Raphael Tapestry Cartoons: Narrative, Decoration, Design. London, Scala Books in association with the Victoria and Albery Museum.
  • page 133 Rickards, Maurice and Michael Twyman [Ed.]. The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian. London: British Library, 2000.
Other number
No. 1803 - Manufacturer's number
Collection
Accession number
E.832-1996

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 20, 2009
Record URL
Download as: JSON