Trust
Photograph
1865 (photographed)
1865 (photographed)
| Artist/Maker | |
| Place of origin |
Julia Margaret Cameron's mentor and friend, the artist G.F. Watts wrote to Cameron, ‘Please do not send me valuable mounted copies … send me any … defective unmounted impressions, I shall be able to judge just as well & shall be just as much charmed with success & shall not feel that I am taking money from you.’ This is one of approximately 67 in the V&A's collection that was recently discovered to have belonged to him. Many are unique, which suggests that Cameron was not fully satisfied with them. Some may seem ‘defective’ but others are enhanced by their flaws. All of them contribute to our understanding of Cameron’s working process and the photographs that did meet her standards.
Object details
| Categories | |
| Object type | |
| Title | Trust (popular title) |
| Materials and techniques | Albumen print from wet collodion glass negative. |
| Brief description | Photograph by Julia Margaret Cameron, 'Trust' (sitters Alice Keown, Mary Hillier), albumen print, 1865 |
| Physical description | A photograph of a child (Alice Keown) cradled against the chest of a woman (Mary Hillier) photographed in profile. |
| Dimensions |
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| Style | |
| Credit line | Given by Mrs Margaret Southam, 1941 |
| Production | This image is a detail of photograph no. 79 in the catalogue raisonne by Cox and Ford. |
| Subjects depicted | |
| Summary | Julia Margaret Cameron's mentor and friend, the artist G.F. Watts wrote to Cameron, ‘Please do not send me valuable mounted copies … send me any … defective unmounted impressions, I shall be able to judge just as well & shall be just as much charmed with success & shall not feel that I am taking money from you.’ This is one of approximately 67 in the V&A's collection that was recently discovered to have belonged to him. Many are unique, which suggests that Cameron was not fully satisfied with them. Some may seem ‘defective’ but others are enhanced by their flaws. All of them contribute to our understanding of Cameron’s working process and the photographs that did meet her standards. |
| Bibliographic references |
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| Collection | |
| Accession number | PH.348-1981 |
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| Record created | April 6, 2009 |
| Record URL |
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