Nutcracker, cast iron and steel, made by Victor Castings Ltd., Tipton, ca.1978, designed by Robert Welch, 1961.

Cast iron nutcracker, in the from of a clamp, with a screw and double-ended handle. Trumpet shaped base supporting a cylinder with a large cut out section, the mechanism in the form of a fly press; a steeel worm placed off centre sumounted by a handle with tapering shafts and a speherical counterweight at each end. At the end of the steel worm, a circular plate to crusg the nut above a circular, ribbed depression in the anvil to anchor the nut.

Given by Victor Castings Ltd

Robert Welch's interest in cast iron dates from 1960. Although a common enough material in the manufacture of kitchen implements, it was at that time a new material for tableware. Its use for items suited to a dinner party is probably linked to the interest in 'natural' and unadorned materials suited to the growing habit of dining in the kitchen.

Welch's first range of products in black iron included a set of three candlesticks, pepper and salt mills and a fruit stand as well as this nutcracker. The curved flange forms, and, in this case, the bar-bell screw press, are reminiscent of the bold simple shapes of nineteenth century engineering. They proved to be adaptable to a wide variety of applications which in time formed a large number of related pieces. Interest from export markets, principally Denmark and the USA, was immediate when this range was launched in 1962.
[Eric Turner, 'British Design at Home', p.179]

Initially produced by a manufacturing joint venture between Robert Welch and Wigmore Distributors, the manufacture of selected cast iron products from this range transferred to Victor Castings Ltd. in 1975

Robert Welch (1929-2000) was trained at the Birmingham School of Art under Ralph Baxendale and Cyril Shiner. From 1952 to 1955 he was at the Royal College of Art, after which he was appointed as design consultant to J.J. Wiggin of Bloxwich, manufacturers of stainless steel tableware. Throughout his career he undertook many industrial design commissions (he designed the stainless steel tableware for the Orient liner <font –I>Oriana</font>) while continuing to practise as a silversmith.

M.202-1978