Frame

1732 - 1750 (made)
Artist/Maker
Place of origin

This frame is one of a set of six in the V&A collection that were made to house a set of Hogarth's 'Harlot's Progress', published in 1732. This set of prints was the first example of Hogarth's 'modern moral subjects' produced as paintings and reproduced as prints. Hogarth was an innovative artist not just in his subject matter but also in his marketing processes. He appealed to a broad audience through prints and an important aspect of his 'modern moral subject' prints was the extent of their use as decorative ojects. In Hogarth's lifetime these prints would have been trimmed of thier margins and close framed.

Object details

Categories
Object type
Materials and techniques
Black painted fruitwood on a pine carcass, carved wooden slips, sanded and oil gilt over a yellow ochre ground.
Brief description
Frame made for a subscriber's set of William Hogarth's 'A Harlot's Progress' (1732); British, made ca. 1732-1750.
Physical description
Black painted wooden frame with moulded gilt with inner moulded gilt mount.
Dimensions
  • Height: 38cm
  • Width: 31cm
This print was originally part of a volume that was broken up into individual plates. Dimensions taken from departmental notes.
Historical context
Made for a set of Hogarth's Harlot's Progress.
Summary
This frame is one of a set of six in the V&A collection that were made to house a set of Hogarth's 'Harlot's Progress', published in 1732. This set of prints was the first example of Hogarth's 'modern moral subjects' produced as paintings and reproduced as prints. Hogarth was an innovative artist not just in his subject matter but also in his marketing processes. He appealed to a broad audience through prints and an important aspect of his 'modern moral subject' prints was the extent of their use as decorative ojects. In Hogarth's lifetime these prints would have been trimmed of thier margins and close framed.
Associated objects
Collection
Accession number
E.2887-1995

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Record createdMarch 31, 2009
Record URL
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