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Not currently on display at the V&A

Netsuke

Early 19th century (made)
Artist/Maker
Place of origin

The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sash by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hard-wearing. Above all, they had to have the means for attaching a cord. Netsuke were made in a variety of forms, the most widely appreciated being the katabori (shape carving), a three-dimensional carving, such as this one in the form of a skelton beating a wooden bell (mokugyo).

The mokugyo is used to accompany the chanting of Buddhist scriptures and services, including those for the dead. The combination of a religious utensil and skeleton should be interpreted, not as a gruesome memento mori, but as an instance of the irreverent humour which was responsible for netsuke of badgers as teamasters and demons as Buddhist monks.


Object details

Category
Object type
Materials and techniques
Carved wood
Brief description
Netsuke, skeleton beating a wooden bell, carved wood, signed Suketada, Japan, early 19th century.
Physical description
This netsuke is in the form of a skeleton striking a wooden bell (mokugyo) which rests on an embroidered cushion. The skeleton kneels in front of the bell with its two hands resting on it, while he holds the striker in his left hand..
Dimensions
  • Height: 3.3cm
Style
Marks and inscriptions
Translation
Suketada
Credit line
Salting Bequest
Object history
Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subjects depicted
Summary
The netsuke is a toggle. Japanese men used netsuke to suspend various pouches and containers from their sash by a silk cord. Netsuke had to be small and not too heavy, yet bulky enough to do the job. They needed to be compact with no sharp protruding edges, yet also strong and hard-wearing. Above all, they had to have the means for attaching a cord. Netsuke were made in a variety of forms, the most widely appreciated being the katabori (shape carving), a three-dimensional carving, such as this one in the form of a skelton beating a wooden bell (mokugyo).

The mokugyo is used to accompany the chanting of Buddhist scriptures and services, including those for the dead. The combination of a religious utensil and skeleton should be interpreted, not as a gruesome memento mori, but as an instance of the irreverent humour which was responsible for netsuke of badgers as teamasters and demons as Buddhist monks.
Collection
Accession number
A.812-1910

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Record createdMarch 30, 2009
Record URL
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