Watercolour, copy after Supper of St Dominic and Crucifixion with Saints, Giovanni Antonio Sogliani in the Convent of San Marco (Florence)
Watercolour
second half 19th century (made)
second half 19th century (made)
Artist/Maker | |
Place of origin |
This watercolour is a copy made by Eduard Kaiser (Graz 1820 – Vienna 1895) after the Supper of St Dominic and Crucifixion with Saints in the Convento di San Marco in Florence by Giovanni Antonio Sogliani (1492 – 1544). It was painted for the Arundel Society, founded in 1848 to promote knowledge of art through the publication of reproductions of works of art. The Arundel Society popularised Renaissance art, particularly that of the Italian Old Masters, echoing a growing interest for ‘primitives’ (art of western Europe prior to the Renaissance) in the second half of the nineteenth century. This watercolour was published as a chromolithograph in 1884 (see Museum no. 29928).
Giovanni Antonio Sogliani was primarily active in Florence. He was a follower of Fra Bartolomeo (1472-1517), whose frescoes he probably saw at the Convento di San Marco. Here, Sogliani painted the Supper of St. Dominic in 1536, which was previously attributed to Fra Bartolomeo. Sogliani’s style seems antiquated compared to other Renaissance artists however, according to Giorgio Vasari (1511-1574, author of the Lives of the most excellent painters), it was suggested by the Dominican patrons.
Giovanni Antonio Sogliani was primarily active in Florence. He was a follower of Fra Bartolomeo (1472-1517), whose frescoes he probably saw at the Convento di San Marco. Here, Sogliani painted the Supper of St. Dominic in 1536, which was previously attributed to Fra Bartolomeo. Sogliani’s style seems antiquated compared to other Renaissance artists however, according to Giorgio Vasari (1511-1574, author of the Lives of the most excellent painters), it was suggested by the Dominican patrons.
Object details
Categories | |
Object type | |
Title | Watercolour, copy after Supper of St Dominic and Crucifixion with Saints, Giovanni Antonio Sogliani in the Convent of San Marco (Florence) (generic title) |
Materials and techniques | Watercolour, gold, traces of pen, on paper |
Brief description | Watercolour, copy after the Supper of St Dominic and Crucifixion with Saints by Giovanni Antonio Sogliani in the Convent of San Marco (Florence), Edward Kaiser for the Arundel Society, late 19th century |
Physical description | Arched on top watercolour of eleven men at table. They wear a black and white robe as Dominican monks. Two angels with coloured wings are in front of the table, while two other monks stand at the two sides. At the top of the watercolour the Crucifixion of Christ,with the Virgin, St John and two people (saints). |
Dimensions |
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Marks and inscriptions | Inscribed in ink, lower left EDUARD KAISER cop. |
Object history | Acquired in 1995 from the National Gallery of London. Watercolour copy made for the Arundel Society and published as a chromolithograph (Museum No. 29928) in 1884 by Frick of Berlin. |
Summary | This watercolour is a copy made by Eduard Kaiser (Graz 1820 – Vienna 1895) after the Supper of St Dominic and Crucifixion with Saints in the Convento di San Marco in Florence by Giovanni Antonio Sogliani (1492 – 1544). It was painted for the Arundel Society, founded in 1848 to promote knowledge of art through the publication of reproductions of works of art. The Arundel Society popularised Renaissance art, particularly that of the Italian Old Masters, echoing a growing interest for ‘primitives’ (art of western Europe prior to the Renaissance) in the second half of the nineteenth century. This watercolour was published as a chromolithograph in 1884 (see Museum no. 29928). Giovanni Antonio Sogliani was primarily active in Florence. He was a follower of Fra Bartolomeo (1472-1517), whose frescoes he probably saw at the Convento di San Marco. Here, Sogliani painted the Supper of St. Dominic in 1536, which was previously attributed to Fra Bartolomeo. Sogliani’s style seems antiquated compared to other Renaissance artists however, according to Giorgio Vasari (1511-1574, author of the Lives of the most excellent painters), it was suggested by the Dominican patrons. |
Associated object | 29928 (Reproduction) |
Bibliographic references |
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Collection | |
Accession number | E.23-1995 |
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Record created | March 24, 2009 |
Record URL |
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