Inrō
late 19th century (made)
Artist/Maker | |
Place of origin |
The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 16th century onwards, Japanese men wore theinro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are of rectangular flattened form with gently curving sides.
Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material, probably wood and paper in this example. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive. This inrois made of lacquer imitating cloisonne enamel on a gold-sprinkled lacquer ground. This technique became popular after Japan was opened to the West in the late 19th century. It is also found on lacquer objects other than inro.
Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material, probably wood and paper in this example. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive. This inrois made of lacquer imitating cloisonne enamel on a gold-sprinkled lacquer ground. This technique became popular after Japan was opened to the West in the late 19th century. It is also found on lacquer objects other than inro.
Object details
Categories | |
Object type | |
Materials and techniques | mura nashiji (uneven 'pear skin' ground), fundame (gold powder), gold, silver, and black hiramaki-e (low relief maki-e) lacquer in cloisons (metal cells) imitating cloisonne enamel on a lacquer ground |
Brief description | Inrō with floral decoration, metal and lacquer imitating cloisonne enamel, Japan, 1875-1900 |
Physical description | Inrō consisting of five cases, rectangular form and ellipsoid in cross section, decorated with floral patterns |
Dimensions |
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Style | |
Credit line | Salting Bequest |
Object history | Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
Subject depicted | |
Summary | The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 16th century onwards, Japanese men wore theinro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are of rectangular flattened form with gently curving sides. Lacquer was most commonly used in the manufacture of inro since it was highly suitable for storing medicines. Lacquer is the sap from the tree Rhus verniciflua that grows mainly in East Asia. After processing, it is applied in many thin layers to a base material, probably wood and paper in this example. The craft of lacquering, as well as making inro bodies, is highly complex, time-consuming and expensive. This inrois made of lacquer imitating cloisonne enamel on a gold-sprinkled lacquer ground. This technique became popular after Japan was opened to the West in the late 19th century. It is also found on lacquer objects other than inro. |
Collection | |
Accession number | W.299-1910 |
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Record created | March 24, 2009 |
Record URL |
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