Not on display

Queen Mary II

Portrait
1690-1691 (made)
Artist/Maker
Place of origin

This oval bust portrait relief to left of Queen Mary II, with an elaborate coiffure and laurel wreath, wearing an earring, was made by a sculptor working in the style of Jean Cavalier, though it is unsigned. The gilt metal ring was used for suspension. It is probably a pendant to the relief of William III (A.125-1956), though they differ somewhat in size.


Cavalier (1650/60-1698/9) was an itinerant French Huguenot ivory sculptor, who worked in France and England. His career is obscure until 1684, by which time he was a carver of portraits in ivory of exceptional talent and probably already settled in England. Cavalier was the most accomplished ivory-carver working in late Stuart England until the arrival of David Le Marchand around 1700.

Object details

Categories
Object type
TitleQueen Mary II (generic title)
Materials and techniques
Carved ivory in relief
Brief description
Medallion, ivory relief, Queen Mary II, in the style of Jean Cavalier, French, ca. 1690-1691
Physical description
Portrait bust of Queen Mary II, in profile, facing left, qith elabotate coiffure and laurel wreath.
Dimensions
  • Height: 8.9cm
Credit line
Bequeathed by Dr W.L. Hildburgh FSA.
Object history
Given by Dr. W. L. Hildburgh, F. S. A., 1956.
Subject depicted
Summary
This oval bust portrait relief to left of Queen Mary II, with an elaborate coiffure and laurel wreath, wearing an earring, was made by a sculptor working in the style of Jean Cavalier, though it is unsigned. The gilt metal ring was used for suspension. It is probably a pendant to the relief of William III (A.125-1956), though they differ somewhat in size.


Cavalier (1650/60-1698/9) was an itinerant French Huguenot ivory sculptor, who worked in France and England. His career is obscure until 1684, by which time he was a carver of portraits in ivory of exceptional talent and probably already settled in England. Cavalier was the most accomplished ivory-carver working in late Stuart England until the arrival of David Le Marchand around 1700.
Associated object
A.125-1956 (Pair)
Bibliographic reference
Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 214
Collection
Accession number
A.126-1956

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Record createdMarch 19, 2009
Record URL
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