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Jake 06

Print
2006 (made)
Artist/Maker
Place of origin

Frank Auerbach is one of the most renowned artists of the later 20th century. He has made prints throughout his career, many of them, such as this, a study of one of the same few subjects whose portraits he paints repeatedly. 'Jake' is Jake Tilson, himself an artist and printmaker.

This print is one of several (by various artists) which have been donated to the V&A through the good offices of the printer Marc Balakjian and his partner at Studio Prints, Dorothea Wight. Marc Balakjian has provided valuable insights into Auerbach's working methods. In this case he explained that rather than using a conventional etching needle, Auerbach preferred to use a screwdriver, using its flat edge for the broad lines, and turning it sideways to get a point to make the finer lines. Auerbach's use of line in his printmaking is very distinctive.

The V&A also has the plate for this print (see E.15-2009).


Object details

Category
Object type
TitleJake 06 (assigned by artist)
Materials and techniques
Etching on paper
Brief description
Print, etching on paper, Jake 06, Frank Auerbach, 2006
Physical description
An image of a man's head.
Dimensions
  • Plate height: 40.3cm
  • Plate width: 29.8cm
  • Sheet height: 63.2cm
  • Sheet width: 50cm
Marks and inscriptions
For the V.& A. Museum / Jake / Auerbach (Dedication / title / artist's signature; all in pencil in artist's hand)
Credit line
Given by Frank Auerbach with Marc Balakjian and Dorothea Wight of Studio Prints
Subjects depicted
Summary
Frank Auerbach is one of the most renowned artists of the later 20th century. He has made prints throughout his career, many of them, such as this, a study of one of the same few subjects whose portraits he paints repeatedly. 'Jake' is Jake Tilson, himself an artist and printmaker.

This print is one of several (by various artists) which have been donated to the V&A through the good offices of the printer Marc Balakjian and his partner at Studio Prints, Dorothea Wight. Marc Balakjian has provided valuable insights into Auerbach's working methods. In this case he explained that rather than using a conventional etching needle, Auerbach preferred to use a screwdriver, using its flat edge for the broad lines, and turning it sideways to get a point to make the finer lines. Auerbach's use of line in his printmaking is very distinctive.

The V&A also has the plate for this print (see E.15-2009).
Associated object
E.15-2009 (Source)
Collection
Accession number
E.16-2009

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Record createdMarch 19, 2009
Record URL
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