Ankidor
Print
December 1987 (made)
December 1987 (made)
| Artist/Maker | |
| Place of origin |
June Wayne established the Tamarind Lithography Workshop in Los Angeles in 1960 and was a key figure in the revival of interest in printmaking, especially lithography, in the USA in the 1960s and 1970s.
The print historian (and donor of this print) Pat Gilmour made the following note on this image: ‘The wonderfully lit field began as an extremely free crayon rubbing from a painting, which was then modified by deletions and crayon drawing. The two oblong shapes drawn in tusche [a black liquid used in lithography] were printed from a separate plate.’
The print historian (and donor of this print) Pat Gilmour made the following note on this image: ‘The wonderfully lit field began as an extremely free crayon rubbing from a painting, which was then modified by deletions and crayon drawing. The two oblong shapes drawn in tusche [a black liquid used in lithography] were printed from a separate plate.’
Object details
| Category | |
| Object type | |
| Title | Ankidor (assigned by artist) |
| Materials and techniques | Lithograph on paper |
| Brief description | June Wayne. 'Ankidor', pPrinted by Edward Hamilton, Tamarind Lithography Workshop; USA, 1987 |
| Physical description | Lithograph; portrait format: bleed image on Wayne's Rives paper. Black and white image, overall pattern like sunlight on waves of sea. In centre of image two identical black rectangles side by side, with sparse flecks of white over them. |
| Dimensions |
|
| Production type | Limited edition |
| Copy number | 14 of 15 |
| Marks and inscriptions | Signed, inscribed with title and numbered in silver ink: June Wayne Ankidor 14/15.
Stamped with artist's chop mark and chop mark of printer.
On back stamped with copyright clause: c'88 All Rights Reserved June Wayne and inscribed in pencil with registration: JW360-87. |
| Credit line | Given by Pat Gilmour |
| Summary | June Wayne established the Tamarind Lithography Workshop in Los Angeles in 1960 and was a key figure in the revival of interest in printmaking, especially lithography, in the USA in the 1960s and 1970s. The print historian (and donor of this print) Pat Gilmour made the following note on this image: ‘The wonderfully lit field began as an extremely free crayon rubbing from a painting, which was then modified by deletions and crayon drawing. The two oblong shapes drawn in tusche [a black liquid used in lithography] were printed from a separate plate.’ |
| Associated objects | |
| Collection | |
| Accession number | E.236-1999 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | January 18, 2000 |
| Record URL |
Download as: JSON
