Vase
ca. 1924 (made)
Artist/Maker | |
Place of origin |
During the 1890s Reginald Wells trained as a sculptor at the Royal College of Art, and later studied ceramics at Camberwell School of Art (both in London). Around 1900 he set up his own pottery at Coldrum, near Wrotham in Kent, before later moving it to London. Wells was one of the first true studio potters (i.e., a non-factory potter), working on an entirely independent basis. His interests lay in exactly those areas that were to preoccupy studio potters in later decades, namely English slipwares and Chinese stonewares. Wells's work has a somewhat amateur and experimental look when compared to that of the next generation (B. J. Leach, Michael Cardew, William Staite Murray) who were to follow in his path.
Object details
Categories | |
Object type | |
Materials and techniques | Stoneware, opaque white glaze with crackle, thrown |
Brief description | Vase, stoneware with opaque, crackled white glaze, designed and made by Reginald Wells, England, about 1924 |
Physical description | Stoneware vase with opaque, crackled white glaze. Surface marked by rings produced by the potter's fingers as he threw the pot on the wheel. Probably influenced by traditional Chinese ceramics. |
Dimensions |
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Marks and inscriptions | 'S', incised |
Credit line | Given by Sir Amhurst Selby-Bigge, Ernest Marsh and Bernard Rackham |
Object history | Acquisition details: given by Sir Amhurst Selby-Bigge, Ernest Marsh and Bernard Rackha The rings produced by the potter's fingers as he threw the pot on the wheel have been made into a decorative feature, as has the cracking of the glaze in the kiln. Like many studio potters of the time, Wells was much influenced by traditional Chinese ceramics. RF number: 25/2104 |
Production | Wells' own 'Soon Ware' pottery |
Summary | During the 1890s Reginald Wells trained as a sculptor at the Royal College of Art, and later studied ceramics at Camberwell School of Art (both in London). Around 1900 he set up his own pottery at Coldrum, near Wrotham in Kent, before later moving it to London. Wells was one of the first true studio potters (i.e., a non-factory potter), working on an entirely independent basis. His interests lay in exactly those areas that were to preoccupy studio potters in later decades, namely English slipwares and Chinese stonewares. Wells's work has a somewhat amateur and experimental look when compared to that of the next generation (B. J. Leach, Michael Cardew, William Staite Murray) who were to follow in his path. |
Bibliographic references |
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Collection | |
Accession number | C.60-1925 |
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Record created | January 14, 2000 |
Record URL |
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