Image of Gallery in South Kensington
On display at V&A South Kensington
Design 1900 to Now, Room 74

Ibreeq

Drinking Vessel
1980 (made)
Artist/Maker
Place of origin

The work of Siddig El Nigoumi is infused with African, Arabic and British influences. Born in The Sudan in 1931, Siddig followed a two-year period as a calligrapher by enrolling at the School of Art in Khartoum. It was there that he began to specialise in pottery. In 1957 he travelled to London to study ceramics at the Central School of Art. In 1967 he settled permanently in England. Siddig popularised the use of traditional African pottery techniques within British studio ceramics. His pots were handbuilt, their surfaces burnished by polishing with a stone or similar tool, and left unglazed. This vessel was purchased from an exhibition of jugs organised by the Craftsmen Potters Association (now the Craft Potters Association) in 1980. 'Ibreeq' is an Arabic word for jug.


Object details

Categories
Object type
TitleIbreeq (assigned by artist)
Materials and techniques
Earthenware, unglazed burnished clay, incised decoration
Brief description
Drinking vessel by Siddig El Nigoumi, earthenware, Britain, 1980.
Physical description
Drinking vessel Earthenware, unglazed burnished clay with incised decoration in the form of a two spouted vessel on four feet
Dimensions
  • Depth: 20.50cm
  • Height: 22.40cm
Marks and inscriptions
'Nigoumi 80'and a scorpion, incised
Gallery label
  • Design and the diaspora As a consequence of empire, people have moved between countries. Often expressed in creative practice, designers draw on influences from their birthplace, family heritage and the places they call home. From the 1970s onwards, the Sudanese-born, UK based ceramicist Siddig El Nigoumi popularised ancient African and Arabic pottery techniques like unglazed, burnished clay in British studio ceramics. And similarly, in the post-war years, Joaquim Tenreiro, who came from a Portuguese family of woodworkers, forged a new style of furniture design in his adopted country, Brazil. Using indigenous woods and traditional making techniques, his designs were suited to the South American climate and lifestyle. Two-spouted water vessel ‘Ibreeq’ (jug), 1980 Designed and made by Siddig El Nigoumi, UK Hand-built earthenware, unglazed and burnished clay with incised decoration Museum no. C.56-1980 Rocking chaise longue About 1947 Designed by Joaquim Albuquerque Tenreiro Manufactured by Langenbach & Tenreiro, Brazil Rosewood and woven cane Given by Vanishing Points Gallery, London Museum no. W.6:1 and 3-2014 The object sits in the 'Crisis and Conflict' section of the Design 1900-Now gallery opened in June 2021. (2021)
  • Jug (ibreeq) Siddig El Nigoumi (1931-96) Great Britain 1980 The work of Siddig El Nigoumi is infused with African, Arabic and British influences. Siddig popularised the use of traditional African pottery techniques within British studio ceramics. His pots were handbuilt, their surfaces burnished by polishing with a stone or similar tool and left unglazed. Earthenware, unglazed burnished clay, incised decoration Museum no. C.56-1980 Bought by the V&A
Object history
Acquisition details: CPA, London 'Jugs' exhibition, 1980
Summary
The work of Siddig El Nigoumi is infused with African, Arabic and British influences. Born in The Sudan in 1931, Siddig followed a two-year period as a calligrapher by enrolling at the School of Art in Khartoum. It was there that he began to specialise in pottery. In 1957 he travelled to London to study ceramics at the Central School of Art. In 1967 he settled permanently in England. Siddig popularised the use of traditional African pottery techniques within British studio ceramics. His pots were handbuilt, their surfaces burnished by polishing with a stone or similar tool, and left unglazed. This vessel was purchased from an exhibition of jugs organised by the Craftsmen Potters Association (now the Craft Potters Association) in 1980. 'Ibreeq' is an Arabic word for jug.
Bibliographic reference
Watson, Oliver. British Studio Pottery : the Victoria and Albert Museum Collection, Oxford : Phaidon, Christie's, in association with the Victoria and Albert Museum, 1990
Collection
Accession number
C.56-1980

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Record createdJanuary 14, 2000
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