Goblet
ca. 1868 (made)
Artist/Maker | |
Place of origin |
In the late 19th and early 20th centuries, the Venice and Murano Glass and Mosaic Co. Ltd (Salviati & Co.) specialised in the production of handmade glass in the ‘traditional Venetian style’. In fact, they adopted certain aspects of historical Venetian glass design and combined these to create new elaborate and fanciful shapes that have little in common with the original glasses that inspired them. Their products were particularly popular in Britain, where the public adored anything Venetian.
This goblet features aventurine – small flat particles of copper dispersed randomly in the glass to create a sparkling effect. Discovered by the Venetians in the 17th century, this type of glass was named from the Italian ‘per avventura’ – ‘by accident’ – and is one of the most difficult to manufacture. The technique of embedding canes of glass was also developed in Murano, in the 16th century, and was called ‘filigrana’ (filigree) decoration, because of its similarity to goldsmiths’ work.
This goblet features aventurine – small flat particles of copper dispersed randomly in the glass to create a sparkling effect. Discovered by the Venetians in the 17th century, this type of glass was named from the Italian ‘per avventura’ – ‘by accident’ – and is one of the most difficult to manufacture. The technique of embedding canes of glass was also developed in Murano, in the 16th century, and was called ‘filigrana’ (filigree) decoration, because of its similarity to goldsmiths’ work.
Object details
Categories | |
Object type | |
Materials and techniques | Transparent green glass, blown in a mould, speckled with aventurine, with added filigree canes in colourless and white glass, and moulded ruby prunts |
Brief description | Goblet, Italy (Venice), made by Salviati & C., 1866-1868, 892-1868 . |
Physical description | Goblet, blown in a optic mould, transparent green glass, speckled with aventurine. Applied retorti canes in colourless and opaque white; one around the mouth and one around the knob. Six red raspberry prunts applied to the knob. |
Dimensions |
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Styles | |
Production | Salviati started his own blowing furnace in 1866. |
Summary | In the late 19th and early 20th centuries, the Venice and Murano Glass and Mosaic Co. Ltd (Salviati & Co.) specialised in the production of handmade glass in the ‘traditional Venetian style’. In fact, they adopted certain aspects of historical Venetian glass design and combined these to create new elaborate and fanciful shapes that have little in common with the original glasses that inspired them. Their products were particularly popular in Britain, where the public adored anything Venetian. This goblet features aventurine – small flat particles of copper dispersed randomly in the glass to create a sparkling effect. Discovered by the Venetians in the 17th century, this type of glass was named from the Italian ‘per avventura’ – ‘by accident’ – and is one of the most difficult to manufacture. The technique of embedding canes of glass was also developed in Murano, in the 16th century, and was called ‘filigrana’ (filigree) decoration, because of its similarity to goldsmiths’ work. |
Bibliographic reference | Reino Liefkes, Salviati and the South Kensington Museum, in: Aldo Bova, Rosella Junck and Puccio Migliaccio, I colori di Murano nell'800 / The Colours of Murano in the XIX Century, Venice 1999, pp. 8, 22-23. This piece is discussed and illustrated. |
Collection | |
Accession number | 892-1868 |
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Record created | December 13, 1997 |
Record URL |
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