Tea Canister
ca. 1750 (made)
Artist/Maker | |
Place of origin |
Object Type
With no Chinese porcelain protypes to copy, British ceramic tea canisters of the 18th century took several different forms. They are mostly, however, square or octagonal with a wide cylindrical lip, and seem to derive from the japanned metal canisters used for displaying and dispensing tea and coffee in grocers' shops. By contrast, smarter tea canisters of glass or silver tended to copy the wooden tea chest, complete with its wavy metal edging and corners. Only later in the century was the little baluster-shaped canister copied by English porcelain factories (for example, Worcester) which imitated Chinese vase-like versions made solely for export.
Design & Designing
Although Staffordshire white stoneware had been perfected by about 1720, its possibilities for mass-production were not fully exploited until the 1740s. Then the techniques of press-moulding, slip-casting and enamelling were developed, and the drabness of the greyish stoneware surface was successfully relieved by the addition of all-over decoration (parallels may be drawn here with the development of British pressed glass after the mid-19th century). At first, desperate for ideas, the Staffordshire makers of block-moulds used old designs taken from Johann Nieuhoff's An Embassy from the East India Company of the United Provinces, to the Grand Tartar Chaim or Emperour of China, first published in English in 1669.
With no Chinese porcelain protypes to copy, British ceramic tea canisters of the 18th century took several different forms. They are mostly, however, square or octagonal with a wide cylindrical lip, and seem to derive from the japanned metal canisters used for displaying and dispensing tea and coffee in grocers' shops. By contrast, smarter tea canisters of glass or silver tended to copy the wooden tea chest, complete with its wavy metal edging and corners. Only later in the century was the little baluster-shaped canister copied by English porcelain factories (for example, Worcester) which imitated Chinese vase-like versions made solely for export.
Design & Designing
Although Staffordshire white stoneware had been perfected by about 1720, its possibilities for mass-production were not fully exploited until the 1740s. Then the techniques of press-moulding, slip-casting and enamelling were developed, and the drabness of the greyish stoneware surface was successfully relieved by the addition of all-over decoration (parallels may be drawn here with the development of British pressed glass after the mid-19th century). At first, desperate for ideas, the Staffordshire makers of block-moulds used old designs taken from Johann Nieuhoff's An Embassy from the East India Company of the United Provinces, to the Grand Tartar Chaim or Emperour of China, first published in English in 1669.
Object details
Categories | |
Object type | |
Materials and techniques | Salt-glazed stoneware and moulded |
Brief description | Tea canister of salt-glazed stoneware, four-sided and oblong shape, and with a flat top and short neck, and moulded, maker unknown, made in Staffordshire, ca. 1750. |
Physical description | Tea canister of salt-glazed stoneware, four-sided and oblong shape, and with a flat top and short neck, and moulded on one of the two larger sides with a flowering tea-shrub and 'CIA or TE herb', and on the other, a vine growing over a tree accompanied by a scroll inscribed 'Herb Te', and at the top is a border of cresting. |
Dimensions |
|
Marks and inscriptions |
|
Gallery label |
|
Credit line | Given by Lady Charlotte Schreiber |
Object history | One of a pair with 414:958-1885 (Sch. II 122). |
Subjects depicted | |
Summary | Object Type With no Chinese porcelain protypes to copy, British ceramic tea canisters of the 18th century took several different forms. They are mostly, however, square or octagonal with a wide cylindrical lip, and seem to derive from the japanned metal canisters used for displaying and dispensing tea and coffee in grocers' shops. By contrast, smarter tea canisters of glass or silver tended to copy the wooden tea chest, complete with its wavy metal edging and corners. Only later in the century was the little baluster-shaped canister copied by English porcelain factories (for example, Worcester) which imitated Chinese vase-like versions made solely for export. Design & Designing Although Staffordshire white stoneware had been perfected by about 1720, its possibilities for mass-production were not fully exploited until the 1740s. Then the techniques of press-moulding, slip-casting and enamelling were developed, and the drabness of the greyish stoneware surface was successfully relieved by the addition of all-over decoration (parallels may be drawn here with the development of British pressed glass after the mid-19th century). At first, desperate for ideas, the Staffordshire makers of block-moulds used old designs taken from Johann Nieuhoff's An Embassy from the East India Company of the United Provinces, to the Grand Tartar Chaim or Emperour of China, first published in English in 1669. |
Other number | Sch. II 122A - Schreiber number |
Collection | |
Accession number | 414:958/A-1885 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 23, 2009 |
Record URL |
Download as: JSONIIIF Manifest