Box and Cover thumbnail 1
Not on display

Box and Cover

18th century (made)
Place of origin

This expertly-crafted box and cover very clearly illustrate the skill of the craftsmen who were producing fine objects within the Mughal empire from the beginning of the 17th century and throughout the 18th century, when this was probably made. The gently domed cover has been hollowed out, leaving a shallow ridge between the lobes and the rim has been contoured to leave a raised outer rim to enable to cover to be seated securely onto the box. The upper surface has an inlaid gold wire border running just in from the edge within which is a flower and leaf design formed from 36 rubies / pink sapphires, 25 emeralds and 7 diamonds in reflective closed-back mounts in gold settings. The mounts for the rubies and emeralds had once been coloured but many have since deteriorated and faded. Each component has been fashioned from a single piece of nephrite jade.
The box was previously owned by the notable collector of Mughal jade and rock crystal objects, Colonel Charles Seton Guthrie and was bought by the Indian Museum in Leadenhall Street, London, in 1868 for £60. It was transferred to the South Kensington Museum (later renamed the Victoria & Albert Museum) in 1879.

Charles Seton Guthrie was an important collector of eastern coins and Mughal jade and rock crystal objects. He was the second son of Scottish parents, both of whom were from noble and landed families, and his father worked for the East India Company in Calcutta.
Guthrie most probably developed his interest in jade and rock crystal when he studied geology as a 17 year old cadet in 1825 in Addiscombe, and he joined the Bengal Engineers in 1828. Through his family’s established connection with the Inglis and Lister families, he became acquainted with Harry Inglis and his Anglo-Indian wife Sophia (nee Lister). He may well have received gifts of objects that Harry had acquired as proceeds from his Indian military campaigns. Harry was the son and heir of George Inglis who owned Inglis & Co., a large Indian trading company. During his time in India, Guthrie enhanced his collections with acquisitions financed by his army pay and also income from properties in his late mother’s estate. He subsequently retired at the honorary rank of Colonel in 1857, although he returned to England in 1855, at the same time as Harry and Sophia, due to having 2 years of accumulated leave. Following Harry’s death in 1860, his embalmed body was returned to India, accompanied by Sophia and Charles, where it was interred in an above-ground tomb. Sophia inherited Harry’s vast estate, which almost certainly contained many fine jewels and Mughal objects. Sophia began living together with Charles in Calcutta, bearing him a son in 1862. Following a financially significant arrangement being agreed by Sophia with Charles, the two eventually married in 1863 with the family returning to England a short time thereafter. Sophia died in 1866, with Charles being named as an executor with instruction to liquidate her un-itemised English estate which included “jewels, trinkets and shawls”. Soon thereafter, in 1868, Guthrie sold part of his collection of jade and rock crystal objects to The India Museum and his large coin collection to a museum in Germany. Colonel Charles Seton Guthrie died in 1874 and the remainder of his collections was sold at auction, in accordance with the terms of his will, with many objects finding their way into other important collections and then subsequently to this museum.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Box
  • Cover
Materials and techniques
White nephrite jade, diamond, emerald, ruby and gold. Fashioned using a variety of techniques.
Brief description
Box and cover, trefoil-shaped, white nephrite jade, rubies, emeralds and diamonds inset in gold, Mughal, 18th century, formerly in the Guthrie Collection
Physical description
A trefoil-shaped box and cover, fashioned in white nephrite jade and polished all over.
The box has three compartments with a raised inner ring to the rim that continues at the same height along the compartment walls. The base is flat and there is a narrow band of inlaid gold wire running all along the top and bottom edges of the external walls. Within these two bands and all around the external walls, there is a flower and leaf design formed from 43 ruby / pink sapphire and 50 emerald cabochons in reflective, closed-back mounts in gold settings which had once been coloured but now show signs of deterioration and fading. There is additional inlaid gold wire detail.
The gently domed cover has been hollowed out, leaving a shallow ridge between the lobes and the rim has been contoured to leave a raised outer rim to enable to cover to be seated securely onto the box. The upper surface has an inlaid gold wire border running just in from the edge within which there is a flower and leaf design formed from 36 rubies / pink sapphires, 25 emeralds and 7 diamonds in reflective closed-back mounts in gold settings. The mounts for the rubies and emeralds had once been coloured but many have since deteriorated and faded. There is additional inlaid gold wire detail.
Dimensions
  • Height: 26mm
  • 02539 1 ( is) length: 75.9mm
  • 02539 1 ( is) width: 71.3mm
  • 02539 1 ( is) height: 14.5 to 15.4mm (Note: From the base to the top of the rim)
  • 02539 1 ( is) depth: 13.1 to 13.5mm (Note: Internal depth range from the rim, around the centre)
  • 02539 2 ( is) length: 75.3mm
  • 02539 2 ( is) width: 71.3mm
  • 02539 2 ( is) height: 14.2mm (Note: Overall height of the cover, including the central inset ruby)
  • 02539 2 ( is) depth: 6.6 to 7.1mm (Note: Internal depth range from the rim to the centres of the lobes)
Style
Object history
This box and cover were originally in the Guthrie collection and were purchased for the sum of £60-0-0, when he sold 81 of his objects to The India Museum in 1868. It was subsequently transferred to The South Kensington Museum (later renamed The Victoria & Albert Museum) in 1879.

Charles Seton Guthrie was an important collector of eastern coins and Mughal Empire jade and rock crystal objects. He was the second son of Scottish parents, both of whom were from noble and landed families, and his father worked for the East India Company in Calcutta.
Guthrie most probably developed his interest in jade and rock crystal when he studied geology as a 17 year old cadet in 1825 in Addiscombe, and he joined the Bengal Engineers in 1828.
Through his family’s established connection with the Inglis and Lister families, he became acquainted with Harry Inglis and his Anglo-Indian wife Sophia (nee Lister). He may well have received gifts of objects that Harry had acquired as proceeds from his Indian military campaigns. Harry was the son and heir of George Inglis who owned Inglis & Co., a large Indian trading company.
During his time in India, Charles Guthrie enhanced his collections with acquisitions financed by his army pay and also income from properties in his late mother’s estate.
He subsequently retired at the honorary rank of Colonel in 1857, although he returned to England in 1855, at the same time as Harry and Sophia, due to having 2 years of accumulated leave.
Following Harry’s death in 1860, his embalmed body was returned to India, accompanied by Sophia and Charles, where it was interred in an above-ground tomb. Sophia inherited Harry’s vast estate, which almost certainly contained many fine jewels and Mughal objects. Sophia began living together with Charles in Calcutta, bearing him a son in 1862. Following a financially significant arrangement being agreed by Sophia with Charles, the two eventually married in 1863 with the family returning to England a short time thereafter.
Sophia died in 1866, with Charles being named as an executor with instruction to liquidate her un-itemised English estate which included “jewels, trinkets and shawls”.
Soon thereafter, in 1868, Guthrie sold part of his collection of jade and rock crystal objects to The India Museum and his large coin collection to a museum in Germany. Colonel Charles Seton Guthrie died in 1874 and the remainder of his collections was sold at auction, in accordance with the terms of his will, with many objects finding their way into other important collections and then subsequently to the museum.
Subject depicted
Summary
This expertly-crafted box and cover very clearly illustrate the skill of the craftsmen who were producing fine objects within the Mughal empire from the beginning of the 17th century and throughout the 18th century, when this was probably made. The gently domed cover has been hollowed out, leaving a shallow ridge between the lobes and the rim has been contoured to leave a raised outer rim to enable to cover to be seated securely onto the box. The upper surface has an inlaid gold wire border running just in from the edge within which is a flower and leaf design formed from 36 rubies / pink sapphires, 25 emeralds and 7 diamonds in reflective closed-back mounts in gold settings. The mounts for the rubies and emeralds had once been coloured but many have since deteriorated and faded. Each component has been fashioned from a single piece of nephrite jade.
The box was previously owned by the notable collector of Mughal jade and rock crystal objects, Colonel Charles Seton Guthrie and was bought by the Indian Museum in Leadenhall Street, London, in 1868 for £60. It was transferred to the South Kensington Museum (later renamed the Victoria & Albert Museum) in 1879.

Charles Seton Guthrie was an important collector of eastern coins and Mughal jade and rock crystal objects. He was the second son of Scottish parents, both of whom were from noble and landed families, and his father worked for the East India Company in Calcutta.
Guthrie most probably developed his interest in jade and rock crystal when he studied geology as a 17 year old cadet in 1825 in Addiscombe, and he joined the Bengal Engineers in 1828. Through his family’s established connection with the Inglis and Lister families, he became acquainted with Harry Inglis and his Anglo-Indian wife Sophia (nee Lister). He may well have received gifts of objects that Harry had acquired as proceeds from his Indian military campaigns. Harry was the son and heir of George Inglis who owned Inglis & Co., a large Indian trading company. During his time in India, Guthrie enhanced his collections with acquisitions financed by his army pay and also income from properties in his late mother’s estate. He subsequently retired at the honorary rank of Colonel in 1857, although he returned to England in 1855, at the same time as Harry and Sophia, due to having 2 years of accumulated leave. Following Harry’s death in 1860, his embalmed body was returned to India, accompanied by Sophia and Charles, where it was interred in an above-ground tomb. Sophia inherited Harry’s vast estate, which almost certainly contained many fine jewels and Mughal objects. Sophia began living together with Charles in Calcutta, bearing him a son in 1862. Following a financially significant arrangement being agreed by Sophia with Charles, the two eventually married in 1863 with the family returning to England a short time thereafter. Sophia died in 1866, with Charles being named as an executor with instruction to liquidate her un-itemised English estate which included “jewels, trinkets and shawls”. Soon thereafter, in 1868, Guthrie sold part of his collection of jade and rock crystal objects to The India Museum and his large coin collection to a museum in Germany. Colonel Charles Seton Guthrie died in 1874 and the remainder of his collections was sold at auction, in accordance with the terms of his will, with many objects finding their way into other important collections and then subsequently to this museum.
Bibliographic references
  • Pauline Lunsingh Scheurleer, 'Hoofse Snuisterijen uit India', Rijksmuseum, Amsterdam, 1991, cat. 14, p. 17. Hankyu catalogue 1993, cat. 29, p. 52 Susan Stronge, 'Colonel Guthrie's Collection', Oriental Art, vol. XXXIX, 1993/4, fig. 13, p. 11
  • Jackson, Anna and Ji Wei (eds.) with Rosemary Crill, Ainsley M. Cameron and Nicholas Barnard, compiled by the Palace Museum, translated by Yuan Hong, Qi Yue and Liu Ran. The Splendour of India' Royal Courts : Collection of the Victoria and Albert Museum. Beijing: the Forbidden City Publishing House, 2013. Text in English and Chinese. ISBN 9787513403917. PPS. 100 and 101
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 228, cat. no. 1162
  • Swallow, D., Stronge, S., Crill, R., Koezuka, T., editor and translator, "The Art of the Indian Courts. Miniature Painting and Decorative Arts", Victoria & Albert Museum and NHK Kinki Media Plan, 1993. p. 52, cat. no. 29
Collection
Accession number
02539:1/(IS) to 02539:2/(IS)

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 23, 1999
Record URL
Download as: JSONIIIF Manifest