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Cavalier Romain

Statuette
Artist/Maker
Place of origin

The French sculptor Emmanuel Frémiet specialised in small-scale bronzes of animals and also of soldiers and equestrian figures. At the Salon in Paris in 1866, he exhibited a bronze almost 1.5m high which he called (inscribed on its plinth) 'Cavalier Romain'. This was an equestrian figure of a Roman cavalry soldier, holding a lance at 45 degress to his body under his right upper arm. Frémiet immediately went on to produce a much smaller variation on this theme, which is seen here, where the figure holds a lance upright (across the top of which was probably originally attached a banner, as seen in other examples). This became one of Frémiet's most reproduced works. The South Kensington Museum (later called V&A) bought this particular example in 1896.

In 1840 Frémiet had entered the studio of Jacques-Christophe Werner, lithographer and principal painter at the Muséum National d’histoire naturelle, France’s National Museum of Natural History in the Jardin des Plantes, Paris. Here he first studied anatomy and drew studies of animals from life and later succeeded Antoine-Louis Barye as Professor of Drawing. He was influenced by Barye, famous for his animal sculptures, and also by François Rude under whom he had studied sculpture. The V&A has a number of small-scale bronzes of animals by him as well as an example of his much praised later bronze, St George slaying the Dragon.

Object details

Object type
TitleCavalier Romain
Materials and techniques
Silvered bronze
Brief description
Statuette, Roman soldier on horseback, bronze, by Emmanuel Frémiet
Physical description
Equestrian statuette in cast and silvered bronze, representing an armed Roman soldier bearing a shield and spear. Signed 'E. Fremiet'.
Dimensions
  • Height: 16.375in
  • Length: 10in
Object history
Bought for £10 4s.
Subjects depicted
Summary
The French sculptor Emmanuel Frémiet specialised in small-scale bronzes of animals and also of soldiers and equestrian figures. At the Salon in Paris in 1866, he exhibited a bronze almost 1.5m high which he called (inscribed on its plinth) 'Cavalier Romain'. This was an equestrian figure of a Roman cavalry soldier, holding a lance at 45 degress to his body under his right upper arm. Frémiet immediately went on to produce a much smaller variation on this theme, which is seen here, where the figure holds a lance upright (across the top of which was probably originally attached a banner, as seen in other examples). This became one of Frémiet's most reproduced works. The South Kensington Museum (later called V&A) bought this particular example in 1896.

In 1840 Frémiet had entered the studio of Jacques-Christophe Werner, lithographer and principal painter at the Muséum National d’histoire naturelle, France’s National Museum of Natural History in the Jardin des Plantes, Paris. Here he first studied anatomy and drew studies of animals from life and later succeeded Antoine-Louis Barye as Professor of Drawing. He was influenced by Barye, famous for his animal sculptures, and also by François Rude under whom he had studied sculpture. The V&A has a number of small-scale bronzes of animals by him as well as an example of his much praised later bronze, St George slaying the Dragon.
Bibliographic references
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1896. Arranged according to the dates of acquisition, with appendix and indices. London: Her Majesty's Stationary Office. Wyman and Sons. 1900. pp.43
  • Catherine Chevillot, Emmanuel Fremiet, La Main et le Multiple, Dijon & Grenoble exhibition catalogue 1989, pp.118-119
Collection
Accession number
249-1896

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Record createdFebruary 9, 2009
Record URL
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