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Louis Veuillot

Print
1870-1871 (printed)
Artist/Maker
Place of origin

Satirical print in which Louis Veuillot is depicted as a sainted monk holding a set of keys.
Print from a set of caricatures, broadsheets and illustrations in ten volumes. Each volume is half-bound in red leather, gold tooled and stamped with imperial emblems, title etc.


Object details

Categories
Object type
Titles
  • Louis Veuillot (assigned by artist)
  • Les Hommes D'Église (series title)
Materials and techniques
Hand-coloured lithograph on paper
Brief description
'Louis Veuillot'. Satirical illustration by Faustin Betbeder in which Louis Veuillot is depicted as a sainted monk holding a set of keys. Hand-coloured lithograph, France, 1870-1871.
Physical description
Satirical print in which Louis Veuillot is depicted as a sainted monk holding a set of keys.
Print from a set of caricatures, broadsheets and illustrations in ten volumes. Each volume is half-bound in red leather, gold tooled and stamped with imperial emblems, title etc.
Dimensions
  • Height: 32.2cm
  • Width: 21.3cm
Dimensions from: Lambert, Susan. The Franco-Prussian War and The Commune in Caricature 1870-71. catalogue of a collection of prints in the possession of the Department of Prints and Drawings of the Victoria and Albert Museum. London: Victoria and Albert Museum, 1971.
Marks and inscriptions
  • 'Louis Veuillot Saillant, Éditeur, R. Du Croissant, 5 & 10. Imp. Barousse, Paris. Louis Veuillot.' (Lettered)
  • 'Regardez: le voila! ! Son journal frénétique / plait aux dévôts et semble écrit par des b . . . . . . / Il fait des fausses clefs dans l'arrière boutique / Pour la ported u Paradis.' (Lettered with caption)
  • 'Faustin' (Signed)
Gallery label
"Faustin" (pseudonym of Faustin Betbeder) (born 1847) Louis Veuillot, an ardent convert to Catholicism was horrified by the caricatures produced after the collapse of the Empire. He wrote to Jules Favre on the subject, mentioning those of Eugénie in particular. Lithograph, coloured by hand. E.1026-1962(27/05/1971-10/10/1971)
Object history
Plate from a series entitled 'Les Hommes D'Église'.
Historical context
Louis Veuillot (1813-83), an ardent convert to Catholicism, became director of L’Univers, a paper which defended the church. All his writings convey an underlying belief in the salvation of society through Catholicism. Horrified by the caricatures produced after the collapse of the Empire, he wrote to Jules Favre on the subject, mentioning those of Eugénie in particular: ‘L’on vous a signalé ce vomissement de caricatures qui depuis votre avènement n’a cessé de salir la ville. En fait d’art, la République de 1870 n’a pas produit autre chose. . . . Je vois l’image d’une femme qui a régné vingt ans et don’t la reputation h’honneur n’a souffert aucune atteinte. Elle est souillée des injures auxquelles toute femme préférerait la mort.’’

Quoted from J. Lethève, La caricature et la presse sous la I I I e République, Paris, 1961, p. 21.
Subjects depicted
Bibliographic references
  • Lambert, Susan, The Franco-Prussian War and The Commune in Caricature 1870-71: catalogue of a collection of prints in the possession of the Department of Prints and Drawings of the Victoria and Albert Museum, London, V&A, 1971
  • Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1962. London: HMSO, 1964.
Collection
Accession number
E.1026-1962

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Record createdJanuary 30, 2009
Record URL
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