Thomas Wentworth, 1st Earl Strafford (1672-1739)
Model
ca. 1740 (made)
ca. 1740 (made)
Artist/Maker | |
Place of origin |
This is the sketch model in terracotta (baked clay) for the marble figure of Thomas Wentworth, 3rd Earl Strafford, at Wentworth Castle, made by John Michael Rysbrack. He stands in a contrapposto (slightly twisted) pose wearing Roman armour under a draped cloak, with close-cropped hair in the antique style. Rysbrack's models are often, as here, highly finished, and this terracotta closely resembles the lifesize marble for which it was a study.
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Object details
Category | |
Object type | |
Title | Thomas Wentworth, 1st Earl Strafford (1672-1739) (generic title) |
Materials and techniques | Modelled terracotta |
Brief description | Statuette, sketch model, terracotta, Thomas Wentworth, 1st Earl Strafford, by John Rysbrack, England, ca. 1740 |
Physical description | This is the sketch model for the marble figure of Thomas Wentworth, 3rd Earl Strafford, at Wentworth Castle. He stands in a contrapposto pose wearing Roman armour under a draped cloak brooched on his left shoulder, with close-cropped hair in the antique style. He stands with his weight on his left leg, the right leg being forward and slightly bent at the knee. The right arm is above a broken column, and the left is bent with the hand catching the cloak on the left hip. |
Dimensions |
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Credit line | Given by Dr W.L. Hildburgh FSA in 1954. |
Object history | In the possession of Sir Algernon Osborn Bt., Chicksands (date unknown; early 20th century), and placed on loan by him at the Barking Museum, Barking, Essex. The model was subsequently lent by Sir Algernon to the Victoria and Albert Museum (loan no. 1) from 8 December 1936 until his death in 1948. Later purchased by Dr. W.L. Hildburgh F.S.A. and on loan from him to the Museum from 17 June 1953. Given to the Museum by Dr. Hildburgh in December 1953, and registered as the first objet acquired in 1954 by the Department of Architecture and Sculpture, later Sculpture Department. Hildburgh's enthusiasm in regularly offering as a gift the first object of the year to be accessioned by the Department of Architecture and Sculpture is commented upon by Leigh Ashton in his letter of thanks to Dr Hildburgh for the gift of the present piece. |
Subject depicted | |
Summary | This is the sketch model in terracotta (baked clay) for the marble figure of Thomas Wentworth, 3rd Earl Strafford, at Wentworth Castle, made by John Michael Rysbrack. He stands in a contrapposto (slightly twisted) pose wearing Roman armour under a draped cloak, with close-cropped hair in the antique style. Rysbrack's models are often, as here, highly finished, and this terracotta closely resembles the lifesize marble for which it was a study. Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right. |
Bibliographic references |
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Collection | |
Accession number | A.1-1954 |
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Record created | December 29, 2008 |
Record URL |
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