Victory or Fame from the monument to Admiral Vernon
Statuette
1760 (made)
1760 (made)
Artist/Maker | |
Place of origin |
This is the model for the allegorical figure on the marble monument to Admiral Vernon (1684-1757) in Westminster Abbey. In the monument, Fame (or perhaps Victory) is running to crown the admiral's head with a wreath of laurels. The pose echoes that of both the Discobolus, a famous ancient sculpture of a discuss-thrower, as well as that of the so-called Borghese Gladiator; a life-size Greek sculpture of a swordsman found at Ephesus (in present day Turkey) which was much admired and copied in the 18th century (there are copies at Windsor Castle, Petworth House, and Houghton Hall, for instance).
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Object details
Categories | |
Object type | |
Title | Victory or Fame from the monument to Admiral Vernon (generic title) |
Materials and techniques | Modelled terracotta |
Brief description | Statuette, terracotta, Victory or Fame, by John Rysbrack, 1760 |
Physical description | This female figure steps forward with her right leg, her left arm (now broken) held aloft. It is the model for the figure on the marble monument to Admiral Vernon (1684-1757) in Westminster Abbey. In the monument Fame is running to crown the admiral's head with a wreath of laurels.The pose echoes that of the Hellenistic sculpture, the so-called Borghese Gladiator (Katharine Eustace, 'Rysbrack' exh. cat., Bristol City Art Gallery, 1982, p. 182) as well as the Discobolus. |
Dimensions |
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Marks and inscriptions | ' Michl: Rysbrack. fecit 1760' (Signed on the base to one side) |
Object history | This is the model for the figure on the marble monument to Admiral Vernon (1684-1757) in Westminster Abbey. In the monument Fame is running to crown the admiral's head with a wreath of laurels. The pose echoes that of the ancient sculpture the Discobolous or Borghese Gladiator (Katharine Eustace, 'Rysbrack' exh. cat., Bristol City Art Gallery, 1982, p. 182). Purchased by the Museum via private sale through Sotheby's, for £3000; the model had been included in their 28 November 1968 sale, the property of Mrs Edna J. Harrie, lot 87; purchased with assistance from the Francis Reubell Bryan Bequest and the Hildburgh Bequest. In a letter from the vendor of the present piece to Howard Ricketts at Sotheby's, Mrs Harrie recorded that the figure once belonged to the sculptor Peter Hollins. Her uncle, himself a sculptor as a young man took over the studio, equipment, various carvings & busts and the terracotta figure from this Birmingham sculptor, named Peter Hollins. |
Subjects depicted | |
Summary | This is the model for the allegorical figure on the marble monument to Admiral Vernon (1684-1757) in Westminster Abbey. In the monument, Fame (or perhaps Victory) is running to crown the admiral's head with a wreath of laurels. The pose echoes that of both the Discobolus, a famous ancient sculpture of a discuss-thrower, as well as that of the so-called Borghese Gladiator; a life-size Greek sculpture of a swordsman found at Ephesus (in present day Turkey) which was much admired and copied in the 18th century (there are copies at Windsor Castle, Petworth House, and Houghton Hall, for instance). Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right. |
Associated object | |
Bibliographic references |
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Collection | |
Accession number | A.1-1969 |
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Record created | December 29, 2008 |
Record URL |
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