’s Gravenhage, unknown, 52.085097, 4.326982, CO
Photograph
2012–2017 (photographed)
2012–2017 (photographed)
Artist/Maker | |
Place of origin |
Anton Kusters is a Belgian multidisciplinary visual artist who lives and works in Belgium and Tokyo. He studied photography at STUK Leuven and the Academy of Fine Arts, Hasselt. His work has been featured in numerous publications and has been exhibited in Europe, China and Australia. Stemming from a documentary approach, Kusters is interested in the limits of understanding, the difficulties of representing trauma and loss, and the act of commemoration.
For The Blue Skies Project, prompted by his family’s own history, Kusters researched locations of Nazi camps of detention, persecution, forced labour and murder. Travelling to a total of 1,078 locations in Europe, Kusters made three unique 8 x 10 cm Polaroid photographs of the sky as close as possible to each site. These he tagged with the GPS coordinates and the number of deaths estimated at the location. Such stark data combined with this systematic approach make a chilling reference to the catastrophic efficiency of the Nazi’s programme of extermination throughout Europe.
Kusters’ unique documentary approach is based on his use of a Polaroid camera, known for its immediacy, to create pictures that operate at the border of abstract photography rather than providing a representational image. With this, Kusters challenges the expectations of his audience and questions the capability of the medium as a reliable witness of historical events.
For The Blue Skies Project, prompted by his family’s own history, Kusters researched locations of Nazi camps of detention, persecution, forced labour and murder. Travelling to a total of 1,078 locations in Europe, Kusters made three unique 8 x 10 cm Polaroid photographs of the sky as close as possible to each site. These he tagged with the GPS coordinates and the number of deaths estimated at the location. Such stark data combined with this systematic approach make a chilling reference to the catastrophic efficiency of the Nazi’s programme of extermination throughout Europe.
Kusters’ unique documentary approach is based on his use of a Polaroid camera, known for its immediacy, to create pictures that operate at the border of abstract photography rather than providing a representational image. With this, Kusters challenges the expectations of his audience and questions the capability of the medium as a reliable witness of historical events.
Object details
Categories | |
Object type | |
Titles |
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Materials and techniques | polariod photograph, printed |
Brief description | Polaroid by Anton Kusters from 'The Blue Skies Project', 2012-2017 |
Physical description | Polaroid photograph. A large blue circle dominates the picture against a black background. A series of numbers are stamped at the bottom of the picture. |
Dimensions |
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Gallery label |
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Credit line | Donated by Dirk Spillebeen & Anne Carlier - IFBD Ltd |
Summary | Anton Kusters is a Belgian multidisciplinary visual artist who lives and works in Belgium and Tokyo. He studied photography at STUK Leuven and the Academy of Fine Arts, Hasselt. His work has been featured in numerous publications and has been exhibited in Europe, China and Australia. Stemming from a documentary approach, Kusters is interested in the limits of understanding, the difficulties of representing trauma and loss, and the act of commemoration. For The Blue Skies Project, prompted by his family’s own history, Kusters researched locations of Nazi camps of detention, persecution, forced labour and murder. Travelling to a total of 1,078 locations in Europe, Kusters made three unique 8 x 10 cm Polaroid photographs of the sky as close as possible to each site. These he tagged with the GPS coordinates and the number of deaths estimated at the location. Such stark data combined with this systematic approach make a chilling reference to the catastrophic efficiency of the Nazi’s programme of extermination throughout Europe. Kusters’ unique documentary approach is based on his use of a Polaroid camera, known for its immediacy, to create pictures that operate at the border of abstract photography rather than providing a representational image. With this, Kusters challenges the expectations of his audience and questions the capability of the medium as a reliable witness of historical events. |
Collection | |
Accession number | PH.145:1-2023 |
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Record created | May 23, 2024 |
Record URL |
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