Mourning Jewelry
ca. 1846 (made)
Place of origin |
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. The bracelet commemorates Josiah Wedgwood II (1769-1843) and his wife Elizabeth 'Bessie' Wedgwood (1764-1846).
Object details
Categories | |
Object type | |
Materials and techniques | Human hair and gold |
Brief description | Mourning bracelet, human hair and gold, ca. 1846 |
Physical description | Mourning bracelet, human hair and gold; band of woven human hair connected by a decorated gold clasp; clasp with central inset of human hair, which is possibly a mixture of Elizabeth Wedgwood and Josiah Wedgwood II's; inset is mounted with layer of glass or rock crystal; clasp with inscription on the reverse. |
Dimensions |
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Marks and inscriptions | Josiah Wedgwood' / 'died July 12th 1843' / 'aged 74.' / Elizabeth Wedgwood' / 'died March 31st 1846' / 'aged 82' (engraved on reverse of gold clasp) |
Gallery label |
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Credit line | V&A Wedgwood Collection. Presented by Art Fund with major support from the National Lottery Heritage Fund, private donations and a public appeal. |
Object history | Gift of Joyce Tischler, Westfield, New Jersey, USA. 2003, 17th October. |
Subjects depicted | |
Summary | From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. The bracelet commemorates Josiah Wedgwood II (1769-1843) and his wife Elizabeth 'Bessie' Wedgwood (1764-1846). |
Other number | 12357 - Wedgwood Museum Accession number |
Collection | |
Accession number | WE.4293-2014 |
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Record created | October 13, 2023 |
Record URL |
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