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The Entombment thumbnail 2
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On display
Image of Gallery in South Kensington

The Entombment

Relief
ca. 1500 (made)
Place of origin

This relief representing the Entombment was made in about 1500 in Germany, possibly by Ludwig Jupan von Marburg.

This group which must have formed part of an altarpiece of the Passion of Christ, was originally acquired as German, early 16th century. Later it was thought to be Flemish. Subsequently it was considered to be Lower Rhenish or Westphalian.

The relief consists of nine pieces of wood joined together with several small wooden dowels and it shows Nicodemus and Joseph of Arimathea placing the body of Our Lord in the tomb, around which are gathered the Virgin, St. John the Evangelist and the three Maries.

Object details

Categories
Object type
TitleThe Entombment (generic title)
Materials and techniques
Oak, carved, painted and gilded
Brief description
Relief, oak, the Entombment, perhaps by Ludwig Jupan von Marburg, Lower Rhenish (Kalkar), ca. 1500
Physical description
Nicodemus and Joseph of Arimathea are placing the body of Our Lord in the tomb, around which are gathered the Virgin, St. John the Evangelist and the three Maries; on the ground lies the crown of thorns fallen from Our Lord's head. The tomb bears an inscription much defaced. On a hilly landscape in the background rise the walls and turrets of Jerusalem, near which stand two soldiers and another figure.
Dimensions
  • Height: 65.40cm
  • Width: 39.37cm
  • Depth: 12.7cm
Style
Gallery label
(1994 Nov. 2010)
The Entombment of Christ
Painted and gilded oak
German (Lower Rhenish or Westphalian); about 1500
708-1904
This elaborately painted relief was probably part of a larger altarpiece (wooden dowels can be seen in the back). On the tomb are the remains of a gilt inscription.

The Entombment
About 1500
Northern France
Painted and gilded oak
Museum no. 708-1904
Object history
Bought from G. B. Harding for £80 in 1904.

Historical significance: It was originally acquired as German, early 16th century. Later it was thought to be Flemish then German, possibly Lower Rhenish; subsequently it was considered to be Northern France.
Historical context
This group would originally have formed part of an altarpiece of the Passion of Christ..
Production
Northern France
This group which must have formed part of an altarpiece of the Passion of Christ, was originally acquired as German, early 16th century. Later it was thought to be Flemish; subsequently it was considered to be Lower Rhenish or Westphalian
Subjects depicted
Summary
This relief representing the Entombment was made in about 1500 in Germany, possibly by Ludwig Jupan von Marburg.

This group which must have formed part of an altarpiece of the Passion of Christ, was originally acquired as German, early 16th century. Later it was thought to be Flemish. Subsequently it was considered to be Lower Rhenish or Westphalian.

The relief consists of nine pieces of wood joined together with several small wooden dowels and it shows Nicodemus and Joseph of Arimathea placing the body of Our Lord in the tomb, around which are gathered the Virgin, St. John the Evangelist and the three Maries.
Bibliographic references
  • Inventory of Works of Art Acquired by the Victoria and Albert Museum in the Years 1903 - 1904. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1904, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Wyman and Sons, Limited, 1908, p. 121. Norbert Jopek, German Sculpture 1430-1540-A catalogue of the collection in the Victoria and Albert Museum, London, 2002, cat. no. 3. Stephanie Daussy, 'Les sculpteurs Amienois actifs a Saint-Jaques de Folleville', in Bulletin de la Societe d' Emulation d'Abbeville, vol. XXIX, 2002, pp. 253-268.
  • Jopek, Norbert. German Sculpture 1430-1540, A Catalogue of the Collection in the Victoria and Albert Museum. London, 2002, pp. 34-35, cat.no. 3.
Collection
Accession number
708-1904

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Record createdNovember 27, 2008
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