Not on display

Colossal Statue of the Gautama close to the N.end of the wooden bridge

Photograph
August 1855 to November 1855 (photographed), 1857 (printed and published)
Artist/Maker
Place of origin

Measuring 11.4 metres in height, this figure sits in the pose of bhumisparsha mudra, in which the Buddha calls the earth goddess to witness his enlightenment. It acquired the popular name ‘Left in the Sun Image’ as it did not originally have a roof over it. Now sheltered, it is known as the Taung-min-Gyi Buddha.

Linnaeus Tripe created one of earliest photographic records of Burma (Myanmar). His reputation as a photographer developed in India where he was employed in the East India Company army. Appointed to accompany the first British diplomatic mission to Burma in 1855, he was instructed to record information about the country. Tripe took over 100 images, demonstrating his skill in observation and composition. He used calotypes or paper negatives, which gave the prints a ‘soft-focus’ look. [75 words]

Object details

Category
Object type
TitleColossal Statue of the Gautama close to the N.end of the wooden bridge (assigned by artist)
Materials and techniques
Salted paper print from waxed paper (calotype) negative
Brief description
Photograph, 19th century, No.46 from series 'Burma Views' by Linnaeus Tripe, 'Colossal Statue of Gautama close to the N.end of the wooden bridge', salted paper print, 1855
Physical description
A colossal stone figure of the Buddha surrouned by trees and small zedi (stupas/pagodas).
Dimensions
  • Photographic print height: 249mm
  • Photographic print width: 341mm
Production typeLimited edition
Gallery label
Colossal Statue of the Gautama Buddha Amerapoora (Amarapura), 1786 By Linnaeus Tripe (1822–1902) Measuring 11.4 metres in height, this figure sits in the pose of bhumisparsha mudra, in which the Buddha calls the earth goddess to witness his enlightenment. It acquired the popular name ‘Left in the Sun Image’ as it did not originally have a roof over it. Now sheltered, it is known as the Taung-min-Gyi Buddha.
Object history
This photograph was one of a series from Burma Views which was presented to the V&A in July 1909 by Lady Ida Low, wife of Malcolm Low, Esq., of the Bengal Civil Service and daughter-in-law of General Sri John Low. As a member of the Council of India in 1857, Sir John Low received the Burma Views (1857) set on 15th April 1857.
See Registry files for papers on acceptance of gift.
See Dewan p.255 for listings of other copies of the same photograph elsewhere.

This photograph was published in the album Burma Views 1857, by Captain L. Tripe, official photographer to the Government of India's Mission to Ava [Burma]. Tripe made over 200 photographs during this trip, and the captions to the images are thought to be a collaboration between Tripe and the secretary to the Mission to Ava, Henry Yule.

Tripe’s Burma Views were distributed widely and were very well received. Tripe sent 50 copies to Calcutta. Fourteen sets from these were distributed by the Government of India, including seven sets to members of the Mission to Ava, former capital of Burma. Twenty sets were ordered by the East India Company’s Court of Directors, and most were given to members of the Court. It is not known what happened to the remaining sixteen sets. Due to Tripe’s ownership of the negatives, he printed a selection of his photographs for further distribution. A set of 92 views of Burma was given to the King of Prussia, and more sets were given to the Madras Photographic Society and associated figures. Two hundred and ninety additional prints were offered for sale at 2 Rupees per print at Griffiths and Co., Madras.

Historical significance: After his series of Burma photographs made in 1855, Tripe went on to become Government Photographer for the Madras government. He produced significant works that function as both records and works of art. These are some of the earliest record photographs of Burma.

It was hard work to produce photographs in the 1850s, particularly in the heat of India. Tripe was under pressure to produce them quickly, and evidently would have preferred more time and better working conditions. He wrote an accompanying disclaimer for the albums:
‘The accompanying Views…in justice to him as a Photographer employed by the Government of India, should not be looked upon as a challenge to Photographic criticism; but as a series of views of subjects interesting on account of their novelty…As excuses too, for these defective photographs he would wish it known, that he was working against time; and frequently with no opportunities of replacing poor proofs by better. Also that, from unfavourable weather, sickness, and the circumstances unavoidably attending such a mission, and actual working time was narrowed to thirty six [sic] days’ (This note is photographed in Dewan, p.211).
Historical context
In April 1855 Lord Dalhousie, governor general of India, advised on a political trip to Amerapoora, Burma following the annexation of Pengu (part of Burma) by the British after the 1852 Anglo-Burmese war. Tripe was sent to accompany the party in 1855 as official photographer. The photographs he made during his stay resulted in his album of 122 images, Burma Views, published in 1857. These photographs result from this project, and have Tripe’s original numbering and titles on their mounts.
Production
Attribution note: The V&A has another two copies of this photograph - IS.52-2007 and 2190-1933
Subjects depicted
Place depicted
Summary
Measuring 11.4 metres in height, this figure sits in the pose of bhumisparsha mudra, in which the Buddha calls the earth goddess to witness his enlightenment. It acquired the popular name ‘Left in the Sun Image’ as it did not originally have a roof over it. Now sheltered, it is known as the Taung-min-Gyi Buddha.

Linnaeus Tripe created one of earliest photographic records of Burma (Myanmar). His reputation as a photographer developed in India where he was employed in the East India Company army. Appointed to accompany the first British diplomatic mission to Burma in 1855, he was instructed to record information about the country. Tripe took over 100 images, demonstrating his skill in observation and composition. He used calotypes or paper negatives, which gave the prints a ‘soft-focus’ look. [75 words]
Associated objects
Bibliographic reference
Dewan, Janet. The Photographs of Linnaeus Tripe: A Catalogue Raisonné. Toronto: Art Gallery of Ontario, 2003, p.255.
Collection
Accession number
1527-1909

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 27, 2008
Record URL
Download as: JSONIIIF Manifest