Bran & Oat Crunch
Print
1982-1983 (made)
1982-1983 (made)
| Artist/Maker | |
| Place of origin |
The reasons given by the design partnership Minale Tattersfield for choosing wood engraving to illustrate this health food packaging were that it was seen to emphasize natural goodness of these health foolds and that it reproduced well on a wide range of packaging materials. This was artist Andrew Davidson's (born 1958) first commercial commission. E.761-1994 to E.766-1994 are from the same commission.
Object details
| Categories | |
| Object type | |
| Title | Bran & Oat Crunch (generic title) |
| Materials and techniques | Colour offset lithograph from a wood engraving on card |
| Brief description | Colour offset lithograph, packaging for Boots Second Nature Range, Bran and Oat Crunch, designed by Minale Tattersfield from wood engavings by Andrew Davidson, British, 1982-1983 |
| Physical description | Offset lithograph of a wood engraving for packaging for 'Bran & Oat Crunch' from the Boots health food range 'Second Nature'. E.761-1994 to E.766-1994 are from the same commission. |
| Dimensions |
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| Gallery label |
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| Object history | Acquired in connection with the display A Fine Line - Commercial Wood Engraving in Britain, V&A, 10 October 1994 - 26 March 1995. |
| Subjects depicted | |
| Summary | The reasons given by the design partnership Minale Tattersfield for choosing wood engraving to illustrate this health food packaging were that it was seen to emphasize natural goodness of these health foolds and that it reproduced well on a wide range of packaging materials. This was artist Andrew Davidson's (born 1958) first commercial commission. E.761-1994 to E.766-1994 are from the same commission. |
| Bibliographic reference | Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1994 |
| Collection | |
| Accession number | E.763-1994 |
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| Record created | November 25, 2008 |
| Record URL |
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