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Just Watch and See

Print
1985 (made)
Artist/Maker
Place of origin

Ida Applebroog (born 1929) first became known in the 1970s for making small books in which she presented her own disjunctive 'narratives'. These were the precursors to larger works - paintings and prints - which were made up of two or more parts, creating a kind of large-scale comic strip. As a feminist, she took her subjects from the apparently trivial details of everyday life.

This print, which is a diptych made up of two images on separate sheets, has the bold painterly graphic style of her paintings. By using two near identical images, of differing scales, she also suggests analogies with film and animation, and she has since worked in these media. She has said "I use a lot of repetition. And the repetition becomes a filmic way of talking because as you put one image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."

Object details

Category
Object type
TitleJust Watch and See (assigned by artist)
Materials and techniques
Lithograph on two sheets with watercolour additions by hand
Brief description
Ida Applebroog: 'Just watch and see', 1985 (print in two parts)
Physical description
Series: Just Watch and See. An image in two parts printed by John Nichols, New York, with hand-washed additions by the artist, and published by Strother/Elwood Editions, Brooklyn. Signed and dated in pencil Ida Applebroog 1985, numbered 13/40, and on E.360 blind stamped with the publisher's mark.

One sheet from lithograph on 2 sheets.

Techniques: Lithograph on two sheets with watercolour additions by hand. Each sheet 56.2 x 74.7 cm
Dimensions
  • Height: 56.2cm
  • Width: 74.7cm
Style
Marks and inscriptions
Blind stamped with the publisher's mark
Production
Published by Strother/Elwood Editions

Series Date: 1985
Subject depicted
Summary
Ida Applebroog (born 1929) first became known in the 1970s for making small books in which she presented her own disjunctive 'narratives'. These were the precursors to larger works - paintings and prints - which were made up of two or more parts, creating a kind of large-scale comic strip. As a feminist, she took her subjects from the apparently trivial details of everyday life.

This print, which is a diptych made up of two images on separate sheets, has the bold painterly graphic style of her paintings. By using two near identical images, of differing scales, she also suggests analogies with film and animation, and she has since worked in these media. She has said "I use a lot of repetition. And the repetition becomes a filmic way of talking because as you put one image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
Associated object
E.359-1988 (Part)
Collection
Accession number
E.360-1988

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Record createdNovember 24, 2008
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