The Contrast: Youth and Age
Oil Painting
1839 (painted)
1839 (painted)
Artist/Maker | |
Place of origin |
The contrasts between youth and age, innocence and experience, were staple subjects for nineteenth-century painters as well as writers. It is interesting to note that this picture was exhibited in the same year as Dickens first introduced Little Nell and her grandfather to the reading public. The artist appended lines of verse, unattributed, to the title in the exhibition catalogue:
Youth in its dawn, daring the thorough fare
Of life with fearless foot and roving eye,
Age in its humble lustre, breathing prayer
Upon the threshold of eternity!
Death with the accompanying expectation of eternal life is suggested by the tombstone, the spade and the freshly dug grave in the churchyard. The old countryman pauses at the church door while his grand-daughter looks at him no doubt wondering why he has raised his hat in tribute. The figures were painted from life, the child being the artist's young cousin, and the elderly man the local sexton of the village in which Horsley was staying in the summer of 1839.
Youth in its dawn, daring the thorough fare
Of life with fearless foot and roving eye,
Age in its humble lustre, breathing prayer
Upon the threshold of eternity!
Death with the accompanying expectation of eternal life is suggested by the tombstone, the spade and the freshly dug grave in the churchyard. The old countryman pauses at the church door while his grand-daughter looks at him no doubt wondering why he has raised his hat in tribute. The figures were painted from life, the child being the artist's young cousin, and the elderly man the local sexton of the village in which Horsley was staying in the summer of 1839.
Object details
Category | |
Object type | |
Title | The Contrast: Youth and Age (assigned by artist) |
Materials and techniques | Oil on panel |
Brief description | Oil painting entitled 'The Contrast: Youth and Age' by John Callcott Horsley. Great Britain, 1839. |
Physical description | The contrasts between youth and age, innocence and experience, were staple subjects for nineteenth-century painters as well as writers. It is interesting to note that this picture was exhibited in the same year as Dickens first introduced Little Nell and her grandfather to the reading public. The artist appended lines of verse, unattributed, to the title in the exhibition catalogue: Youth in its dawn, daring the thorough fare Of life with fearless foot and roving eye, Age in its humble lustre, breathing prayer Upon the threshold of eternity! Death with the accompanying expectation of eternal life is suggested by the tombstone, the spade and the freshly dug grave in the churchyard. The old countryman pauses at the church door while his grand-daughter looks at him no doubt wondering why he has raised his hat in tribute. The figures were painted from life, the child being the artist's young cousin, and the elderly man the local sexton of the village in which Horsley was staying in the summer of 1839. |
Dimensions |
|
Styles | |
Marks and inscriptions | 'J C H/1839' (Signed and dated by the artist on tombstone at left) |
Credit line | Given by John Sheepshanks, 1857 |
Object history | Given by John Sheepshanks,1 857 |
Subjects depicted | |
Bibliographic reference | Parkinson, R., Victoria and Albert Museum, Catalogue of British Oil Paintings 1820-1860, London: HMSO, 1990, p. 128 |
Collection | |
Accession number | FA.81[O] |
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Record created | December 15, 1999 |
Record URL |
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