Not on display

Angle of a torus-moulding

Sketch-Model
ca. 1855 - ca. 1870 (made)
Artist/Maker
Place of origin

This is a model for a torus-moulding so far unidentified, designed by Alfred Stevens in ca. 1855-1870.

A sculptor, designer and painter, Alfred Stevens rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Object details

Categories
Object type
TitleAngle of a torus-moulding (named collection)
Materials and techniques
Plaster in low relief
Brief description
Sketch Model, plaster, angle of a torus-moulding, by Alfred Stevens, England, ca. 1855-70
Physical description
Modelled with schematised acanthus-leaves in low relief
Dimensions
  • Length: 21.9cm
  • Weight: 0.3kg
Object history
Bought from Hugh Stannus, 64 Larkhall Rise, Clapham, London, together with range of other objects by Stevens, for £35. This model was included in a large purchase of material by Stevens in the possession of Stannus, a former pupil of Stevens who wrote a monograph on the sculptor in 1891.
Summary
This is a model for a torus-moulding so far unidentified, designed by Alfred Stevens in ca. 1855-1870.

A sculptor, designer and painter, Alfred Stevens rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
Bibliographic references
  • Inventory of Works of Art Acquired by the Victoria and Albert Museum in the Years 1903 - 1904. In: List of Works of Art Acquired by the Victoria and Albert Museum, During the Year 1903, Arranged According to the Dates of Acquisition with Appendix and Indices. London: Printed for His Majesty's Stationery Office, by Wyman and Sons, Limited, 1907, p. 167
  • Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, p. 411, cat. no. 679
Collection
Accession number
968-1903

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Record createdNovember 20, 2008
Record URL
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