Poster for Dick Whittington and his Cat
Poster
mid 20th century (printed)
mid 20th century (printed)
Artist/Maker | |
Place of origin |
Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain all over the country in the first half of the 20th century. Variety developed out of music hall, and like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.
Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.
Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.
Object details
Categories | |
Object type | |
Title | Poster for Dick Whittington and his Cat (generic title) |
Materials and techniques | Printed paper |
Brief description | Overprinted poster for the Shepherds Bush Empire, advertising the last week of the pantomime Dick Whittington and His Cat, commencing on 26 December, n.y., featuring Monty Marks, Francis Whitmer and George Hirste. |
Physical description | Typographic and pictorial poster for the Shepherds Bush Empire, printed in red and blue on paper, with multicoloured pictorial insert in the lower middle with the image of a young woman and a cat, advertising the pantomime Dick Whittington and His Cat, commencing on 26 December, n.y., featuring Monty Marks; Francis Whitmer; George Hirste; Peggy Naylor; Horace Mashford; John Speedy; Leando; Tommy Trevor; Maimie Kurek; Rene Parsons; Ruth Sendler; Billy Pardoe; 3 Atomics; Len Rover; John Essex; Phil Seymour’s Sixteen Spangled Beauties; Kay Kirks 24 Coventry Babes; Woodland Ballet; The Rothwells; presented by Phil Seymour; produced by Joe Seymour. Printed with the names of the Theatre Managing Director: Prince Littler; District Manager: J. Christie; Manager: J.H. Christie Jnr. Fluorescent yellow label with the words: ‘Enormous success; Last week; Positively ending Saturday, January 11th’ appended. |
Dimensions |
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Credit line | Given by Gwendoline Playle |
Summary | Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain all over the country in the first half of the 20th century. Variety developed out of music hall, and like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'. Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television. |
Collection | |
Accession number | S.271-2008 |
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Record created | November 14, 2008 |
Record URL |
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